發(fā)布時間：2018-05-04 07:40

  本文選題：鄭樵《通志·藝文略》 + 鄭寅《鄭氏書目》�。� 參考：《黃鐘(武漢音樂學(xué)院學(xué)報)》2017年02期

【摘要】：南宋莆田鄭樵《通志·藝文略》與鄭寅《鄭氏書目》的音樂分類觀念對后世產(chǎn)生了重要影響。陳振孫《直齋書錄解題》的音樂分類意識有兩個主要來源:一是鄭樵以"貴聲"為主旨,視音樂為專門之學(xué)并予獨(dú)立立類的思想;二是鄭寅分列于經(jīng)、子二部(從經(jīng)部抽離羯鼓、琵琶而置于子部"音樂類")的思想。至清代《四庫全書總目提要》,音樂類目各得其所:一是以"樂"入經(jīng)部樂類,二是以"聲"入子部藝術(shù)類,三是以"音"入集部詞曲類。于是,正式厘清雅樂與俗樂兩界,俗樂有器樂與聲樂的分野,而音樂書、譜皆有雅俗同構(gòu)的對應(yīng)關(guān)系。
[Abstract]:The concept of music classification of Zheng Qiao in Putian of Southern Song Dynasty and Zheng Yin's Bibliography has had an important influence on later generations. There are two main sources of the consciousness of music classification in Chen Zhensun's "Zhi Zhai Book": one is Zheng Qiao's idea that he regards music as his special study and sets up an independent category, and the second is that Zheng Yin is divided into scriptures. The thought of "music" in the second part of the subdivision (taking the drum from the sutras and putting the pipa in the subdivision). By the Qing Dynasty, the contents of the four Kudu books were different: first, music into the classical music category, second, "sound" into the subdivision art category, third, the "sound" into the collection of ci and music categories. (3) the music category was divided into two categories: "Music" into the Classical Music category, "Sound" into the subdivision art category, and "Yin" into the collection. Therefore, the formal clarification of the two boundaries of elegant music and vulgar music, there is a division between instrumental music and vocal music, and music books, the spectrum has the corresponding relationship between elegance and vulgarity.
【作者單位】： 武漢音樂學(xué)院;湖北音樂博物館;
【分類號】：J609.2

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本文編號：1842168