本文選題：演奏技法 + 當(dāng)代揚(yáng)琴��； 參考：《沈陽師范大學(xué)》2017年碩士論文

【摘要】：揚(yáng)琴最早起源于古代中東國家,明朝時隨著絲綢之路傳入我國。揚(yáng)琴在中國已經(jīng)流傳和演化了四百多年,起先揚(yáng)琴只是用作于傳統(tǒng)地方戲曲或民間樂種伴奏的民間樂器,后經(jīng)過發(fā)展成為一種具有中國特色的獨奏樂器。當(dāng)代揚(yáng)琴是指新中國成立后經(jīng)我國人民不斷地努力和思索,逐步形成了獨具特色自成體系的中國揚(yáng)琴。從搜集的資料來看,對中國揚(yáng)琴作品分析的文章大多都是論述單獨某一首樂曲,從樂曲的感情色彩,樂曲結(jié)構(gòu)以及技巧音色等方面逐一的分析。但是從跨年代的角度對一個時期的揚(yáng)琴作品演奏技法分析的資料卻是鳳毛菱角。對于今后揚(yáng)琴事業(yè)發(fā)展的方向和目標(biāo)來說,研究和分析當(dāng)代揚(yáng)琴作品演奏技法既是基礎(chǔ)也是十分重要的。本文對當(dāng)代中國揚(yáng)琴作品演奏技法進(jìn)行剖析整理再分析,在繼承中發(fā)展,在借鑒中汲取,在創(chuàng)新中生長,對揚(yáng)琴事業(yè)發(fā)展中新一代起到了激勵和活力起著支撐作用。本文將樂曲按照演奏技術(shù)、音色、作品類型等內(nèi)容整理再分析。本文運用的研究方法:一、整體結(jié)構(gòu)分析:首先,對當(dāng)代中國揚(yáng)琴作品演奏技法方面的相關(guān)背景資料、作者的生平事跡、以及時代背景進(jìn)行分析。其次,從技法、音色、作品風(fēng)格、節(jié)奏、節(jié)拍、等方面分別進(jìn)行深入的分析和研究。通過全面研究,從而整理其代表性的特點二、文獻(xiàn)分析法:通過進(jìn)行大量的閱讀和分析相關(guān)文獻(xiàn)資料,獲取豐富的文獻(xiàn)參考內(nèi)容,通過全面的、多角度的視角去分析和研究課題。最后,將所收集的資料相互比對,得到最客觀的評價,最終整合提升,達(dá)到更加權(quán)威更加說服力的論據(jù),從而可以最大限度的從客觀的角度出發(fā),還原論文的客觀性。三、譜例穿插:本論文將收集大量的曲譜,用譜例更夠更加直觀的輔佐筆者需要證明的觀點,利用譜例和文字?jǐn)⑹霪B加的形式也是在對作品進(jìn)行分析是慣用的一種方式。
[Abstract]:Yangqin originated in ancient Middle East countries and was introduced into China along the Silk Road in Ming Dynasty. The yangqin has been spread and evolved for more than 400 years in China. At first, it was used as a folk instrument accompanied by traditional local opera or folk music, and then developed into a solo instrument with Chinese characteristics. The contemporary yangqin refers to the Chinese yangqin which has gradually formed its own unique system after the founding of new China. From the data collected, the analysis of Chinese yangqin works is mostly related to a single piece of music, from the emotional color of the music, music structure and technical tone color analysis one by one. But from a cross-age point of view of a period of dulcimer performance analysis of the data is the chestnut. For the future development direction and goal of yangqin, it is not only the foundation but also the very important to study and analyze the performance techniques of contemporary yangqin works. This paper analyzes and reanalyzes the performance techniques of contemporary Chinese yangqin works, develops in succession, draws lessons from experience, and grows in innovation, which plays a supporting role in the development of yangqin. In this paper, according to the performance techniques, timbre, work types and other content arrangement and reanalysis. The research methods used in this paper are as follows: 1. The whole structure analysis: firstly, it analyzes the relevant background data of contemporary Chinese yangqin performance techniques, the author's life story, and the background of the times. Secondly, from the techniques, timbre, style, rhythm, rhythm, and other aspects of in-depth analysis and research. Through a comprehensive study, so as to sort out its representative characteristics two, document analysis: through a large number of reading and analysis of relevant literature, access to rich literature references, through a comprehensive, A multi-angle perspective to analyze and research the subject. Finally, the collected information is compared with each other to get the most objective evaluation, and finally to integrate and promote, to achieve a more authoritative and more convincing argument, so as to maximize from the objective point of view, restore the objectivity of the paper. Third, the spectrum example interspersed: this paper will collect a large number of music, with the spectral example more intuitive enough to help the author to prove the point of view, the use of spectral examples and text narrative superposition form is also in the analysis of the work is a common way.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.51

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本文編號：1812915