發(fā)布時間：2018-04-16 07:01

  本文選題：陜北 + 黃河�。� 參考：《上海音樂學院》2016年博士論文

【摘要】：本文以“陜北沿黃村落的音樂生活”為考察對象,以陜西榆林佳縣的南河底、木頭峪、荷葉坪等村為田野考察地點,將當?shù)亓鱾鞯拿窀�、戲曲、說書、陜北大嗩吶等藝術品種,納入地理背景與村落生活之中考察,展示了豐富的人、音、地互動支撐關系。文章由緒論、五章及結論三部分構成。緒論部分對研究對象、目的、方法、范圍等方面進行了介紹,對研究現(xiàn)狀進行梳理歸納,提出本課題當下研究中存在的問題,引出本文的主要研究視域.本文第一章為“地理文化背景與村落田野敘事”,對村落音樂生活所依賴的歷史地理樣貌進行梳理與描述。通過地圖、家譜、口述訪談及文獻記錄,詳解介紹了三個村落的歷史、地理位置、家族等情況。本文第二章為“村落音樂生活之面貌”,文章根據(jù)文字記錄、口述訪談及田野觀察三個方面,從縣到村逐步考察了村落中音樂品類流布的歷史與現(xiàn)狀,以及這些音樂品種所反射出的生活樣態(tài)。在村落這一原發(fā)性空間里,音樂以溶于傳統(tǒng)生活的方式而存在。傳統(tǒng)音樂各品種在村落中的流傳、衰落與消亡,是對村落某種生產(chǎn)生活方式變化的反襯與對照。本文第三章為“村落生活與傳統(tǒng)音樂”,主要從村落日常勞作、人生儀禮及節(jié)日慶典等三個方面,探討了傳統(tǒng)音樂在村落存在的背景。傳統(tǒng)音樂在最原生的地方發(fā)生發(fā)展具有生活化、信仰化的特質(zhì),表達了對生命、生存的渴求,它依托生產(chǎn)生活方式而存在。本文第四章為“沿河村落傳統(tǒng)音樂的地域特征”,本章以音樂形態(tài)分析為依據(jù),并參證文獻、口述及地理條件,分析沿河村落傳統(tǒng)音樂所體現(xiàn)的地域特征。沿河村落流傳的傳統(tǒng)音樂,既存在山形所帶來的封閉性,也體現(xiàn)出河流所帶來的開放和交融性。這兩種特征在不同的音樂體裁中有不同的表現(xiàn),從而折射出”音——地——人”結構關系在實際情況下的多變和復雜。本文第五章討論了“村落傳統(tǒng)音樂生活的變遷”。文章通過對當下村落傳統(tǒng)音樂生活現(xiàn)象的闡釋,討論變遷問題。村落留下的歷史積淀,對生活慣習形成保護,附生于生活的音樂也就有其生存、繁衍的土壤。村民們旨在用音樂去認同一種生活習慣,而音樂,總是在找尋與時代生活最匹配的方式存在。最后本文將散布于各章的論點集合,樹立了本文明確的思考和結論。
[Abstract]:This article takes "the music life of the village along the Yellow River in Northern Shaanxi" as the object of investigation, and takes the villages of Nanhedi, Muyu and Heye Ping in Yulin County, Shaanxi Province, as the field investigation sites. The local folk songs, operas, storytelling and other artistic varieties such as the Suona suona in Northern Shaanxi are put into practice.In the study of geographical background and village life, the rich interaction between people, sound and land is demonstrated.The article consists of three parts: introduction, five chapters and conclusion.The introduction part introduces the research object, purpose, method, scope and so on, combs and summarizes the present research situation, puts forward the existing problems in the current research of this topic, and leads to the main research horizon of this paper.The first chapter of this paper is "Geo-cultural background and village field narration", combing and describing the historical geographical features on which village music life depends.Through map, family tree, oral interview and document record, the history, geographical location and family of the three villages are introduced in detail.The second chapter is "the appearance of the village music life". According to the three aspects of written record, oral interview and field observation, the article gradually inspects the history and the present situation of the distribution of music in the village from county to village.And the life that these kinds of music reflect.In the primary space of the village, music exists in a way that is dissolved in traditional life.The spread, decline and extinction of each variety of traditional music in the village is the contrast and contrast to the change of a certain way of production and life in the village.The third chapter of this paper is "Village life and traditional music", mainly from the village daily work, life ceremony and festival celebration, discusses the background of traditional music in the village.The development of traditional music in the most original place has the characteristics of life and belief, which expresses the desire for life and survival, and it exists on the basis of production and life style.The fourth chapter is "the regional characteristics of the traditional music in the villages along the river". This chapter is based on the analysis of the music form, and refers to the literature, oral and geographical conditions to analyze the regional characteristics of the traditional music in the villages along the river.The traditional music spread along the river not only exists the closure brought by the mountain shape, but also reflects the opening and blending brought by the river.These two characteristics are different from each other in different musical genres, thus reflecting the variety and complexity of the "voice-earth-human" structure in the actual situation.The fifth chapter discusses the changes of traditional music life in villages.Through the interpretation of the phenomenon of village traditional music life, this paper discusses the problem of change.The historical accumulation left by the village protects the habit of life, and the music attached to life also has its own soil for survival and reproduction.Villagers use music to identify with a living habit, and music is always looking for the best way to match life with the times.Finally, the thesis sets up the clear thinking and conclusion of this paper.
【學位授予單位】：上海音樂學院
【學位級別】：博士
【學位授予年份】：2016
【分類號】：J607
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本文編號：1757774