發(fā)布時間：2018-04-13 17:20

  本文選題：鋼琴組曲《胡桃夾子》 + 普雷特涅夫��； 參考：《河南師范大學(xué)》2016年碩士論文

【摘要】：舞劇音樂《胡桃夾子》是俄羅斯作曲家彼得·伊里奇·柴科夫斯基根據(jù)著名的德國童話故事《胡桃夾子與老鼠王》譜寫的芭蕾舞劇音樂。在舞劇多次的成功展演之后,俄國鋼琴作曲家米哈伊爾·瓦西里耶維奇·普雷特涅夫?qū)⑽鑴∫魳分斜容^獨立的和經(jīng)典的幾個音樂段落抽選出來,改編創(chuàng)作組織成了具有組曲性質(zhì)的同名鋼琴獨奏組曲《胡桃夾子》,整套組曲是由七首小型樂曲構(gòu)成。鋼琴組曲《胡桃夾子》的音樂單純而神秘,短小而精悍,具有鮮明的兒童音樂特點和濃厚的神話色彩,普雷特涅夫通過運用不同的和聲、織體,以及對鋼琴音色和力度的對比與變化,將鋼琴音樂的旋律與舞劇的舞蹈和劇情融為一體,以生動形象地鋼琴音樂形式為大家再次演繹了《胡桃夾子》這部童話故事。鋼琴組曲《胡桃夾子》在俄羅斯鋼琴作品演奏領(lǐng)域中具有極高的藝術(shù)價值和實用價值,備受眾多鋼琴演奏家和廣大鋼琴音樂愛好者的喜愛。本文以普雷特涅夫的鋼琴獨奏組曲《胡桃夾子》為研究對象,從對原舞劇音樂版本《胡桃夾子》入手,通過對鋼琴組曲《胡桃夾子》的創(chuàng)作進(jìn)行分析,提出在演奏練習(xí)組曲前的必要準(zhǔn)備,在此基礎(chǔ)上對組曲中的每一首樂曲的演奏技巧進(jìn)行研究分析與詮釋。全文共分為三個部分。第一部分是緒論,主要闡述此課題的研究緣由和研究意義,結(jié)合此課題國內(nèi)外的研究現(xiàn)狀,運用相關(guān)的研究方法并提出本論文要闡述的主要內(nèi)容。第二部分是論文的主體部分,由三個章節(jié)構(gòu)成。第一章介紹芭蕾舞劇音樂《胡桃夾子》的原作者柴科夫斯基及他的芭蕾舞劇音樂《胡桃夾子》。第二章介紹由普雷特涅夫改編自柴科夫斯基芭蕾舞劇音樂《胡桃夾子》的鋼琴組曲。第三章分析由普雷特涅夫改編創(chuàng)作的鋼琴組曲《胡桃夾子》的演奏技巧。其中先從組曲的結(jié)構(gòu)和劇情發(fā)展、演奏組曲所需要的鋼琴演奏技巧上來闡述我們在演奏此組曲所需要的準(zhǔn)備,最后將組曲中的七首樂曲的演奏技巧和方法進(jìn)行逐一的分析與闡述,為演奏者演奏此組曲和今后此組曲的教學(xué)提供有力的理論依據(jù)。第三部分為結(jié)語,通過對本論文分析和論證過程中主要問題的概括與總結(jié),得出論文主要論點,以實現(xiàn)論文的研究價值,也為以后其他版本舞劇鋼琴音樂的演奏研究奠定了基礎(chǔ)和提供了參考。
[Abstract]:The Nutcracker is the ballet music composed by Russian composer Peter Irik Tchaikovsky according to the famous German fairy tale "Nutcracker and the King of mice".After several successful performances, Mikhail Vasilyevich Pretnev, the Russian piano composer, drew out some of the more independent and classic musical passages from the play's music.The ensemble is composed of seven pieces of music.The music of the piano suite "Nutcracker" is simple and mysterious, short and intrepid, with distinctive characteristics of children's music and strong mythological colors.And the contrast and change of piano timbre and intensity, the melodies of piano music and dance and plot of dance play are combined together, and the fairy tale "Nutcracker" is interpreted again in the form of vivid piano music.The Piano Suite "Nutcracker" has high artistic value and practical value in the field of Russian piano works, and is loved by many pianists and piano music lovers.This article takes the piano solo Suite of Pretnev "Nutcracker" as the research object, starts with the music version of the original dance drama "Nutcracker", and analyzes the creation of Piano Suite "Nutcracker".On the basis of the necessary preparation before performing the suite, this paper studies and interprets the performance skills of each piece of music in the suite.The full text is divided into three parts.The first part is the introduction, mainly expounds the research reason and significance of this topic, combined with the research situation at home and abroad, uses the relevant research methods and puts forward the main content of this paper.The second part is the main part of the paper, which consists of three chapters.The first chapter introduces Tchaikovsky, the original author of Ballet Music Nutcracker and his Ballet Music Nutcracker.The second chapter introduces the piano suite adapted from Tchaikovsky Ballet the Nutcracker.The third chapter analyzes the performance skills of Piano Suite "Nutcracker" adapted from Pretnev.First of all, from the structure of the suite and the development of the plot, the piano performance skills needed to play the suite to explain the preparation we need to play this suite,Finally, the techniques and methods of playing seven pieces of music in the suite are analyzed and expounded one by one, which provides a powerful theoretical basis for the performer to play the suite and the teaching of the suite in the future.The third part is the conclusion, through the summary and summary of the main problems in the process of analysis and argumentation of this paper, get the main argument of the thesis, in order to realize the research value of the thesis,It also lays the foundation and provides reference for the study of piano music in other versions of dance dramas.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J624.1

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本文編號：1745462