本文選題：魏晉 + 南朝宋齊��； 參考：《中國(guó)音樂》2017年04期

【摘要】：魏晉時(shí)期,文士琵琶音樂文化漸興。阮咸類琵琶是文士琵琶的主器,其存在及"琵琶"稱謂,明確表述在多篇魏晉文人的《琵琶賦》中。魏晉名士成為推動(dòng)阮咸類琵琶華化歷史進(jìn)程的行為主體。東晉至南朝宋、齊年間,阮咸類琵琶發(fā)展成熟,成為名士之器,以其獨(dú)有的文化風(fēng)貌存在于朝野之中。唐代將阮咸類琵琶冠以"阮咸"之名,用于文人雅集,視為雅聲之器,這是后人對(duì)魏晉文士琵琶音樂文化歷史印象的固化和定格。
[Abstract]:During the Wei and Jin dynasties, the literati's pipa music culture gradually flourished.Ruan Xian type pipa is the main organ of the scholar pipa. Its existence and the title of "pipa" are clearly expressed in many articles of the Fu of the pipa of the literati in Wei and Jin dynasties.The famous personages in Wei and Jin dynasties became the main body to promote the historical process of Ruan Xian's pipa.From the Eastern Jin Dynasty to the Southern Dynasty and Song Dynasty, during the Qi Dynasty, the Ruan Xian pipa developed mature and became the instrument of the famous people, which existed in the government and the opposition with its unique cultural features.In the Tang Dynasty, the name Ruan Xian was used in the collection of literati elegance, which was regarded as the instrument of elegant voice, which was the solidification and fixation of the historical impression of the literary scholars of Wei and Jin dynasties on the music and culture of pipa.
【作者單位】： 中國(guó)音樂學(xué)院音樂學(xué)系;
【分類號(hào)】：J632.33

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本文編號(hào)：1736255