本文選題：亨德爾　切入點(diǎn)：彌賽亞　出處：《上海音樂學(xué)院》2017年碩士論文

【摘要】：亨德爾的清唱?jiǎng)　稄涃悂啞肥前吐蹇藭r(shí)期合唱的代表性作品,有著深刻的內(nèi)涵和研究意義。本文以這部清唱?jiǎng)〉牡?段"圣嬰降臨"為例從排練,指揮,聲樂等方面進(jìn)行了較為深入的闡述,完整的展示了排練一首合唱作品的過程,包括對(duì)合唱作品的分析,排練過程中遇到的問題以及給出的解決方案,為演唱和排練該作品提供了一定的理論幫助,并以此為合唱指揮專業(yè)的的同仁提供一些參考。本文從作品背景,指揮法,聲樂技巧和排練四個(gè)方面對(duì)作品進(jìn)行了介紹,第一章為亨德爾與《彌賽亞》,從巴洛克風(fēng)格的背景到亨德爾的生平,作曲技法以及《彌賽亞》這部作品的介紹,讓大家初步對(duì)整個(gè)巴洛克時(shí)期以及作曲家及其作品有一個(gè)宏觀的認(rèn)識(shí),第二章為"圣嬰降臨"的指揮法研究,結(jié)合作品的分析從指揮法的角度對(duì)"圣嬰降臨"進(jìn)行了細(xì)致的研究,根據(jù)本人在實(shí)踐過程中總結(jié)出的體會(huì)闡述了對(duì)合唱指揮法的個(gè)人見解。第三章是《圣嬰降臨》的聲樂研究,首先闡述了合唱音響概念的審美,以及如何通過聲樂技巧的訓(xùn)練達(dá)到預(yù)期的效果。第四章是根據(jù)個(gè)人經(jīng)驗(yàn)對(duì)于如何排練做出了舉例說明,針對(duì)排練以及本人在實(shí)踐過程中發(fā)現(xiàn)的問題進(jìn)行探討,提出解決的方案。筆者希望通過對(duì)上述內(nèi)容的敘述提出問題,總結(jié)學(xué)習(xí)實(shí)踐的成果,能為實(shí)際指揮排練該作品提一定的供理論支持,希望對(duì)同行們能有一定的幫助。
[Abstract]:Handel's oratorio Messiah is a representative work of chorus in Baroque period, which has profound connotation and research significance.This article takes the fourth paragraph of the oratorio "the arrival of the Holy Baby" as an example to elaborate in depth from the aspects of rehearsal, command, vocal music, etc., and shows the whole process of rehearsing a chorus work, including the analysis of the chorus works.The problems encountered during rehearsals and the solutions given provide some theoretical help for singing and rehearsing this work and provide some references for the colleagues of chorus conductor specialty.This paper introduces the works from four aspects: background, command, vocal music skills and rehearsals. The first chapter is about Handel and Messiah, from the background of Baroque style to the life of Handel.The introduction of composing techniques and the work "Messiah" gives us a preliminary understanding of the whole Baroque period and the composer and his works. The second chapter is the study of the command method of "the birth of the Holy Child."Based on the analysis of the works, the author makes a detailed study on the coming of the Holy Baby from the angle of command method, and expounds his personal opinions on the chorus command method according to the experience I have summed up in the course of practice.The third chapter is the vocal music research of the coming of the Holy Baby. Firstly, it expounds the aesthetic of the concept of choral sound and how to achieve the desired results through the training of vocal music skills.The fourth chapter illustrates how to rehearse according to personal experience, discusses the problems found in rehearsals and puts forward solutions.The author hopes to put forward questions and summarize the results of learning practice through the narration of the above contents so as to provide some theoretical support for the actual command and rehearsal of this work and to be of some help to the colleagues.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J615.4

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 王振華;清唱?jiǎng)　稄涃悂啞泛铣髌分械暮吐暭靶ㄑ芯縖D];浙江師范大學(xué);2015年

2 沈爽;合唱排練中各聲部的訓(xùn)練方法研究[D];東北師范大學(xué);2011年

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本文編號(hào)：1729354