室內(nèi)樂(lè)中的巴松及其音色研究
發(fā)布時(shí)間:2018-04-02 20:55
本文選題:室Qg樂(lè) 切入點(diǎn):巴松 出處:《音樂(lè)創(chuàng)作》2017年12期
【摘要】:巴松是在室內(nèi)樂(lè)演奏中不可或缺的一員,無(wú)論是重奏還是與其他樂(lè)器合奏中都能獨(dú)當(dāng)一面。室內(nèi)樂(lè)與交響音樂(lè)不同,交響音樂(lè)更講究的是對(duì)立的音色。而在室內(nèi)樂(lè)中,因?yàn)檠莩龅攸c(diǎn)相對(duì)比較小,參與演奏的人數(shù)也比較少,任何細(xì)小的聲音都能讓人耳仔細(xì)分辨出,所以室內(nèi)樂(lè)更加講究是音色的統(tǒng)一與融合。
[Abstract]:Basson is an integral part of chamber music, playing solo as well as in ensembles with other instruments.Chamber music is different from symphony music, symphony music is more pay attention to the opposite tone.In chamber music, because the venue is relatively small, the number of participants is relatively small, any small sound can be carefully identified, so chamber music is more pay attention to the unity and integration of tone.
【作者單位】: 武漢音樂(lè)學(xué)院;
【分類號(hào)】:J627.0
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本文編號(hào):1702065
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