本文選題：人文主義　切入點(diǎn)：美聲聲樂(lè)體系　出處：《理論與現(xiàn)代化》2015年02期

【摘要】：人文主義思潮是文藝復(fù)興時(shí)期的主要特征,它源于意大利,與同樣誕生于意大利的美聲聲樂(lè)體系有著必然的緊密關(guān)系,對(duì)西方聲樂(lè)藝術(shù)的發(fā)展起了重要的推動(dòng)和導(dǎo)向作用。它引領(lǐng)了聲樂(lè)作曲技術(shù)達(dá)到高峰并將聲樂(lè)創(chuàng)作導(dǎo)向主調(diào)風(fēng)格的獨(dú)唱歌曲;又在人文主義者對(duì)古希臘羅馬文化的狂熱復(fù)古中催生了歌劇藝術(shù);同時(shí)帶動(dòng)了對(duì)聲樂(lè)演唱技術(shù)的規(guī)范性思考和系統(tǒng)性研究。美聲聲樂(lè)體系在這一復(fù)雜的綜合過(guò)程中悄然而生。
[Abstract]:Humanism is the main feature of the Renaissance period. It originated from Italy and has a close relationship with the sound music system which is also born in Italy. It plays an important role in promoting and guiding the development of western vocal art.It leads the vocal music composition technique to the peak and leads the vocal music creation to the solo song of the main tone style, and it also gives birth to the opera art in the humanist fanaticism to the ancient Greek and Roman culture.At the same time, it promotes the normative thinking and systematic research on vocal singing technology.The system of beautiful vocal music emerged quietly in this complex comprehensive process.
【作者單位】： 華東師范大學(xué)音樂(lè)學(xué)系;
【基金】：上海市教育委員會(huì)和上海市教育發(fā)展基金“曙光計(jì)劃”資助,項(xiàng)目編號(hào):44800790
【分類號(hào)】：J617.2
，

本文編號(hào)：1698407