本文選題：霍爾　切入點：斯特　出處：《山東師范大學(xué)》2017年碩士論文

【摘要】：古斯塔夫·霍爾斯特是20世紀(jì)初英國最著名的作曲家之一,他的一生富有傳奇色彩。本文以19世紀(jì)與20世紀(jì)之交歐洲各國著名作曲家的音樂創(chuàng)作,和20世紀(jì)初葉的各流派的音樂創(chuàng)作為研究背景,以英國作曲家霍爾斯特為研究對象,以他最為著名的音樂作品《行星》組曲中的和聲技法為研究內(nèi)容,試圖揭示其在音樂歷史上最為動蕩的年代中創(chuàng)作出來的音樂有哪些技術(shù)風(fēng)格特征,并對他的音樂創(chuàng)作風(fēng)格傾向進(jìn)行有根據(jù)的定位。本文共分為三章。第一章分為兩節(jié),第一節(jié)分別論述了霍爾斯特的生平、經(jīng)歷、《行星》組曲創(chuàng)作的歷史背景,分別從霍爾斯特崇拜過的作曲家,和接觸過的同時代作曲家的經(jīng)歷,和他作為女子學(xué)校教師的人生經(jīng)歷,并結(jié)合他一生的音樂創(chuàng)作等方面對其美學(xué)觀念的形成進(jìn)行了剖析;第二節(jié)論述了《行星》組曲七個樂章的音樂結(jié)構(gòu),主要集中于對音樂材料、曲式結(jié)構(gòu)的分析。第二章分為五節(jié),分別從對傳統(tǒng)和聲技術(shù)語言的運用、對新型關(guān)系調(diào)式交替技法的運用、對新型關(guān)系和弦進(jìn)行技法的運用、對復(fù)合和聲思維的運用,以及《行星》組曲中使用的個性化結(jié)構(gòu)和弦五個方面論述了霍爾斯特在《行星》組曲中對半音調(diào)性體系技術(shù)語言的運用情況。第三章分為兩節(jié),分別從以單一音列調(diào)式組織旋律和以多音列綜合調(diào)式組織旋律兩個方面論述了霍爾斯特在《行星》組曲中對調(diào)式和聲體系技法的運用情況。結(jié)論對全文的分析、研究結(jié)果進(jìn)行了高度總結(jié),從歷史角度的成因論述了霍爾斯特的音樂創(chuàng)作風(fēng)格傾向。
[Abstract]:Gustav Holst is one of the most famous composers in England in the early 20th century. And the music creation of various schools in the early 20th century as the research background, taking British composer Holst as the research object, and taking the harmony technique in his most famous music piece, Planet as the research content. This article is divided into three chapters. The first chapter is divided into two sections. The first section deals with Holst's life and experience, the historical background of the creation of the Planet Suite, the experience of the composer whom Holst worshipped and the contemporary composer who has come into contact with him. And his life experience as a female school teacher, and combined with his whole life music creation and other aspects to analyze the formation of his aesthetic concept. The second section discusses the music structure of the seven movements of "Planet" Suite. The second chapter is divided into five sections, respectively, from the use of the traditional harmony technology language, the use of the new relationship mode alternate technique, the use of the new relationship chord technique, the second chapter is divided into five sections, the second chapter is divided into five sections, respectively, from the use of the traditional harmony technology language, the use of the new relationship mode alternate technique, the new relationship chord technique. The application of compound harmony thinking and the individualized structure and chord used in Planetary Suite are discussed in this paper. The third chapter is divided into two sections, the third chapter is divided into two sections, the third chapter is divided into two sections, the third chapter is divided into two sections, the third chapter is divided into two sections, and the third chapter is divided into two sections. This paper discusses the application of Holst's techniques of modulation and harmony system in Planetary Suite from two aspects of single tone series and polyphonic series. The results of the study are summarized, and from the historical point of view, Holst's musical writing style tendency is discussed.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J614.1

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