本文選題：合唱　切入點(diǎn)：純律　出處：《西北民族大學(xué)》2016年碩士論文

【摘要】：合唱音樂藝術(shù)是起源于約公元9世紀(jì)歐洲的一種多聲部的、每聲部均有至少一人演唱的以人聲為主的音樂藝術(shù)形式,無論是何種合唱形式,其音響效果均是人聲間或人聲與樂器之間不同“律”(即樂音音高)的結(jié)合所呈現(xiàn)出來的�！拔宥认嗌伞�、“純律”、“中庸全音律”及“十二平均律”、“彈性十二平均律”等律制在實(shí)際合唱音樂中的使用,是人們?yōu)榱俗非蟾鼮楹椭C豐滿合唱音響的手段。分析合唱音樂史中各個(gè)階段作品與律制的關(guān)系,剖析人體對音律的聽覺與演唱的物理學(xué)及生理學(xué)方面的原理,利用律學(xué)方法與手段：如聽律、唱律進(jìn)行合唱音樂的訓(xùn)練及表演,使律學(xué)真正付諸于合唱音樂的表演,改善并完美合唱音響是律學(xué)理論與實(shí)踐真正相結(jié)合的意義所在。
[Abstract]:The art of choral music originated in Europe in about the 9th century, with at least one person singing a form of musical art dominated by human voices, regardless of the form of chorus. The sound effects are all presented by the combination of different "laws" between voices or between voices and musical instruments (i.e. musical pitch). "Quadric law", "pure law", "mean total rhythm" and "twelve average law", "elastic twelve average law" The use of the isometric system in actual choral music, It is a means for people to pursue a more harmonious and full choral acoustics, to analyze the relationship between the works of various stages in the history of choral music and the law system, and to analyze the physical and physiological principles of the human body's hearing and singing of the rhythm. Using the methods and means of law science, such as listening to the rhythm, singing the rhythm to train and perform the chorus music, make the law really put into the performance of the chorus music, improve and perfect the chorus sound is the meaning of the real combination of the theory and practice of the law.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J616.2
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本文編號：1685657