本文選題：音樂美學(xué)　切入點(diǎn)：茶藝鋼琴曲　出處：《福建茶葉》2017年12期

【摘要】：音樂美學(xué)是對音樂藝術(shù)理論的總體概括,其從音樂的本質(zhì)與內(nèi)在規(guī)律著手對音樂的美學(xué)元素進(jìn)行了系統(tǒng)化總結(jié)。無論是東方音樂美學(xué)還是西方音樂美學(xué)都是美學(xué)元素的締造者,其融合碰撞出來的美學(xué)之花異常燦爛。本文在先后論述了東西方音樂美學(xué)思想的內(nèi)涵后,又對我國當(dāng)前茶藝鋼琴曲的編創(chuàng)現(xiàn)狀進(jìn)行了簡要分析,并最后對東西方音樂美學(xué)交織下的茶藝鋼琴曲創(chuàng)編之路進(jìn)行了展望。
[Abstract]:Music aesthetics is the overall summary of the art of music theory, music from the essence and inherent law of the aesthetic elements of music are systematically summarized. Both the eastern or western music aesthetics music aesthetics is the founder of aesthetic elements, fusion out of the collision of aesthetics in this article. The abnormal flower bright has discussed the connotation western aesthetics of music, but also for China's current art piano creation status were analyzed, and the last thing on the side of music aesthetics in the mix of art piano creation road are discussed.

【作者單位】： 南昌大學(xué);
【分類號】：J624.1;TS971
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本文編號：1675323