本文選題：媒介生態(tài)　切入點(diǎn)：媒體時(shí)代　出處：《傳媒》2017年09期

【摘要】：正當(dāng)前,數(shù)字音樂(lè)迎來(lái)了快速發(fā)展的新階段。面對(duì)新的媒介生態(tài)和音樂(lè)市場(chǎng)環(huán)境,音樂(lè)類客戶端也各自發(fā)力,搶占用戶資源。蝦米音樂(lè)客戶端通過(guò)高品質(zhì)的音樂(lè)、精選集、評(píng)論和歌單訂閱等方式,為用戶打造了小眾的文藝音樂(lè)社區(qū),形成獨(dú)具特色的
[Abstract]:Right now, digital music has ushered in a new stage of rapid development. In the face of the new media ecology and music market environment, music clients are also making their own efforts to seize user resources. Comments and singleton subscriptions have created a niche community of art and music for users to form with unique characteristics.
【作者單位】： 洛陽(yáng)師范學(xué)院音樂(lè)學(xué)院;
【分類號(hào)】：G206;J692
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本文編號(hào)：1671952