本文選題：毛敏仲　切入點：琴人　出處：《人民音樂》2017年04期

【摘要】：正毛敏仲,名遜,宋元之際活躍于浙派琴壇,所作琴曲《山居吟》《樵歌》等,歷久不衰,在琴史據(jù)重要之地。惜歷代文獻對其記載不多(1),目前僅知毛敏仲為浙江三衢人,曾隨郭楚望弟子劉志方習(xí)琴;晚年受召赴元大都獻藝,客死館舍。毛敏仲琴學(xué)成就主要集中在琴曲創(chuàng)作上,存見琴譜大都收錄其作品,其中一些卻署名毛仲翁。而毛仲翁據(jù)文獻記載為另一宋代琴人,歷代文獻對其生平更是罕有言及,似乎暗示了毛敏仲、毛仲翁為一人的可能性。饒宗頤先生《宋季金元琴史考述》一文曾提出疑惑:
[Abstract]:Zheng Mao Minzhong, Ming Xun, Song and Yuan Dynasty were active in the music circle of Zhejiang school, and their piano songs, such as "Mountain residence Yin", "Qiao Song", and so on, survived for a long time. They were not recorded much in the literature of the past dynasties. At present, Mao Minzhong is only known to be a member of the three thoroughfares of Zhejiang Province. Liu Zhifang, a disciple of Guo Chu-wang, studied the piano. In his later years, he was called to perform in the Yuan Dadu, where he died. Mao Minzhong's academic achievements mainly focused on the composition of the piano, and most of his works were included in the music. Some of them were signed by Mao Zhongweng, and Mao Zhongweng was recorded in the literature as another Qin man of the Song Dynasty, whose life was rarely mentioned in the literature of past dynasties, which seemed to imply Mao Minzhong. The possibility of Mao Zhongweng being a person. Mr. Rao Zongyi's "A textual Research on the History of Jin Yuanqin in Song Dynasty" once raised doubts:
【基金】：浙江省哲學(xué)社會科學(xué)規(guī)劃立項課題“宋代以來琴派研究”(編號:13JD SX 01Y B)階段性成果
【分類號】：J632.31

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1 嚴(yán)薇;;爛柯山文化與琴曲《樵歌》[J];中國音樂;2011年01期

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本文編號：1661663