發(fā)布時(shí)間：2018-03-24 00:10

  本文選題：潮州音樂　切入點(diǎn)：“海絲”　出處：《星海音樂學(xué)院學(xué)報(bào)》2017年04期

【摘要】：各民族音樂的樂器形制、所采用的樂譜、律制均有其獨(dú)特性和系統(tǒng)性,它們之間一般不能直接混用,但音樂文化的傳播又促使其趨同或分異,而從音樂文化趨同的案例也可反推其來源與傳播現(xiàn)象。文章根據(jù)一組越南樂器命名方式的特例探討其受潮州音樂影響的可能性,又從新加坡發(fā)現(xiàn)的潮州古箏特有的"二四譜"推斷潮州音樂曾經(jīng)傳播到新加坡;并根據(jù)潮州音樂存在"七平均律"現(xiàn)象,泰國(guó)、緬甸、柬埔寨、老撾、新加坡等東南亞國(guó)家的某些器樂也存在著大體上為七平均律的現(xiàn)象,以及潮汕人自古就曾多批次移民到東南亞各國(guó)的史實(shí),論證潮州音樂曾伴隨潮人移民傳播到東南亞各國(guó)并已成為當(dāng)?shù)匾魳肺幕慕M成部分。
[Abstract]:The folk music of the construction of musical instruments, music, law system has its unique and systematic, between them can not be directly mixed, but the spread of music culture and promote their convergence or divergence, and music from the cultural convergence case can also deduce the origin and spread of the phenomenon. According to the special case of a group of Vietnam the instrument to study the possibility of naming by Chaozhou musical influences, and from Singapore found Chaozhou Zheng unique "24 spectrum" from the music of Chaozhou has spread to Singapore; and according to the Chaozhou music "seven average law" phenomenon, Thailand, Burma, Kampuchea, Laos, some instrumental Singapore and other Southeast Asian countries also exist in seven the average law phenomenon, and Chaoshan people since ancient times had many batches of immigrants to Southeast Asian countries history, music accompanied the demonstration of Chaozhou immigrants spread to East Asia countries trendsetter and has become It's part of the local music culture.

【作者單位】： 韓山師范學(xué)院體育學(xué)院;
【基金】：廣東省哲學(xué)社會(huì)科學(xué)“十二五”規(guī)劃2015年度學(xué)科共建項(xiàng)目“潮汕文化海上絲綢之路傳播研究——以英歌舞等為切入點(diǎn)”(GD15XYS14) 廣東省教育廳人文社科重點(diǎn)攻關(guān)項(xiàng)目“潮汕文化海外傳播研究”(2013ZGXM0007)
【分類號(hào)】：J607
，

本文編號(hào)：1655823