本文選題：管弦樂隊　切入點：西洋　出處：《人民音樂》2017年11期

【摘要】：正筆者從學習樂器、參加樂隊演奏、指揮樂隊演出開始走上職業(yè)音樂道路,從一個樂隊聲音的制造者到一個創(chuàng)造者及聆聽者。多年從事著樂隊音樂創(chuàng)作及作曲和管弦樂法教學與研究,對管弦樂隊有很多想法和思考。西洋管弦樂隊發(fā)展至今,由自由組合的不固定的小型編制樂隊到相對固定編制的大型管弦樂隊,其發(fā)展已經了幾百年的時間。隨著作曲家們對交響樂這種體裁寫法的趨同,交響樂隊的樂器及編制也
[Abstract]:The author began to take professional music from learning musical instruments, participating in band playing and conducting band performances. From the producer of a band's voice to the creator and listener of a band. For many years, he has been engaged in the teaching and research of orchestra music creation and composition and orchestral methods, and has a lot of ideas and thoughts on the orchestra. It has been hundreds of years since the development of a small, freely formed band to a relatively fixed, large orchestra. As composers converge on the genres of symphonies, the instruments of symphonic bands and their composition
【作者單位】： 中國音樂學院作曲系;
【分類號】：J632.61
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本文編號：1653614