發(fā)布時(shí)間：2018-03-19 21:31

  本文選題：海頓　切入點(diǎn)：奏鳴曲　出處：《山西大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：海頓是十八世紀(jì)下半葉歐洲偉大的作曲家,維也納古典主義音樂的三杰之一。他的音樂創(chuàng)作極為廣泛,有聲樂,器樂等。尤其對(duì)交響曲和弦樂四重奏的形成、發(fā)展和完善有著突出的貢獻(xiàn)。被譽(yù)為“交響曲之父”和“弦樂四重奏之父”。海頓的鍵盤作品有著非凡的、不可替代的重要地位。其中他所創(chuàng)作的52首鋼琴奏鳴曲備受矚目,是鋼琴訓(xùn)練、教學(xué)環(huán)節(jié)、藝術(shù)賽事中重要的內(nèi)容之一。這些奏鳴曲中《降E大調(diào)奏鳴曲》具有典型代表性,這首作品是他晚期作品的最后一首奏鳴曲,有很高的研究意義。本文根據(jù)目前所能收集到的相關(guān)文獻(xiàn),結(jié)合自己學(xué)習(xí)、實(shí)踐體會(huì)進(jìn)行理論方面的探討。通過(guò)對(duì)海頓的成長(zhǎng)經(jīng)歷和時(shí)代環(huán)境的梳理,針對(duì)《降E大調(diào)奏鳴曲》進(jìn)行曲式結(jié)構(gòu)、演奏技巧等方面的分析,從中得出了一些新的音樂技術(shù)方面的認(rèn)識(shí)和理解,希望研究結(jié)果能夠成為我下一步學(xué)習(xí)的新起點(diǎn),并在今后的鋼琴藝術(shù)之路上助我越走越寬。文章分為三個(gè)章節(jié):第一章:介紹了作者的生平和他的鋼琴奏鳴曲。第二章:從《海頓降E大調(diào)奏鳴曲》的曲式結(jié)構(gòu)和樂曲分析這兩個(gè)方面進(jìn)行了簡(jiǎn)潔的解析第三章:對(duì)《海頓降E大調(diào)奏鳴曲》中出現(xiàn)的基本演奏難點(diǎn)及演奏技巧展開研究,并結(jié)合多次實(shí)踐學(xué)習(xí),從理論上進(jìn)行對(duì)比、探討、分析,從而得出筆者認(rèn)為可靠的結(jié)論,希望可以指導(dǎo)我日后的學(xué)習(xí)。
[Abstract]:In 18th century Haydn was a great European composer in the second half of the year. He was one of the three major players in the classical music of Vienna. His musical composition was extremely extensive, including vocal and instrumental music, especially for the formation of symphonies and string quartets. "the father of the symphony" and "the father of the string quartet". Haydn's keyboard works have a remarkable and irreplaceable importance. His 52 piano sonatas have attracted much attention. It is one of the most important elements in piano training, teaching and art tournaments. Among these sonatas, Sonata in E flat major is typical, and this work is the last sonata of his later works. It is of great significance to study. According to the relevant literature that can be collected at present, combined with my own study and practical experience, this paper makes a theoretical discussion. Through the comb of Haydn's growing up experience and the environment of the times, Based on the analysis of the marching structure and performance skills of Sonata in E flat major, some new understanding of music technology is obtained. I hope that the research results will become a new starting point for my next study. The article is divided into three chapters: chapter 1: introduction of the author's life and his piano sonata. Chapter two: the structure of Sonata in E major from Haydn. Chapter three: the study of the basic performance difficulties and performance skills in Haydn Sonata in E flat major. And combined with many practical studies, from the theoretical comparison, discussion, analysis, the author concluded that the reliable conclusion, I hope to guide my future study.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 朱雅芬;海頓的鋼琴奏鳴曲[J];鋼琴藝術(shù);2002年02期

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本文編號(hào)：1636086