本文選題：上海　切入點(diǎn)：時(shí)代曲　出處：《南京師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：關(guān)于上�！皶r(shí)代曲”的研究,自新中國成立以后一直處于空白狀態(tài)。直至八十年代,學(xué)術(shù)界才開始關(guān)注“時(shí)代曲”的研究,并且對(duì)其評(píng)價(jià)走向呈現(xiàn)從全盤否定到部分接受的趨勢(shì)。20世紀(jì)初期,爵士樂、布魯斯、西洋舞曲等外來流行音樂傳入中國。特別是爵士樂由于其音樂的親和力和演出場(chǎng)地的隨意性使之在上海產(chǎn)生了重要影響。人們思想仍受封建“禮教”束縛的同時(shí),又受到五四新文化運(yùn)動(dòng)的沖擊,黎錦暉創(chuàng)作了第一首既汲取中國民間曲調(diào)又結(jié)合西方音樂形式的上�！皶r(shí)代曲”《毛毛雨》。上�！皶r(shí)代曲”誕生于1927年,不僅是中國流行音樂的開端,而且是中國音樂史上不可或缺的一部分。上�！皶r(shí)代曲”的風(fēng)格特點(diǎn)對(duì)后來港臺(tái)及東南亞的流行音樂發(fā)展同樣存在深遠(yuǎn)影響。中國近現(xiàn)代音樂史的研究不僅可以從音樂本體入手,還可以在史料查找梳理中還原其本來面貌。民國時(shí)期的報(bào)刊不但數(shù)量種類繁多,而且信息量大。對(duì)民國時(shí)期的報(bào)刊進(jìn)行研究,對(duì)中國近現(xiàn)代音樂史研究能起巨大作用。選取《申報(bào)》作為研究對(duì)象是因?yàn)樗侵袊F(xiàn)代發(fā)行時(shí)間最久、具有廣泛社會(huì)影響的報(bào)紙。對(duì)《申報(bào)》的研讀助于我們修正和辯明一些“時(shí)代曲”史實(shí)謬誤,以及還原“時(shí)代曲”音樂活動(dòng)的真實(shí)面目。通過考察“時(shí)代曲”在前后兩個(gè)發(fā)展階段上的相同處與差異處,全面清晰地把握其發(fā)展過程,并發(fā)現(xiàn)其本質(zhì)和規(guī)律。改革開放的今天,我們運(yùn)用歷史唯物觀點(diǎn)重新審視“時(shí)代曲”、進(jìn)一步推進(jìn)對(duì)“時(shí)代曲”的研究。
[Abstract]:Since the founding of New China, the study of Shanghai's "time song" has been in a blank state. It was not until 80s that the academic community began to pay attention to the study of "era song". And there's a trend from total negation to partial acceptance of its evaluation. In the early 20th century, jazz, blues, Western dance music and other exotic pop music were introduced into China. Especially jazz had an important influence in Shanghai because of the affinity of its music and the randomness of the performing venues. People's thoughts were still bound by feudal "etiquette". Under the impact of the May 4th New Culture Movement, Li Jinhui wrote the first Shanghai "era song" "drizzle", which drew on Chinese folk tunes and combined with western musical forms. Shanghai "era song" was born in 1927. Not only is it the beginning of Chinese pop music, It is also an indispensable part in the history of Chinese music. The style and characteristics of Shanghai's "Times" also have a profound impact on the development of pop music in Hong Kong, Taiwan and Southeast Asia. The study of Chinese modern music history not only can. Starting with the music itself, It is also possible to restore its original appearance in the search for historical materials. The newspapers and periodicals of the Republic of China period are not only numerous in quantity, but also have a large amount of information. A study of the newspapers and periodicals of the Republic of China period was carried out. It can play a great role in the study of the history of Chinese modern music. It was chosen as the object of study because it was the oldest issue in modern China. The study of the Declaration helps us to correct and identify some of the historical fallacies of the "epoch". And to restore the true face of the music activities of "times song". By examining the similarities and differences between the two stages of development of "times song", we can grasp its development process completely and clearly. In today's reform and opening up, we use the historical materialistic point of view to re-examine the "time song", and further promote the study of "times song".
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J609.2

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