本文選題：舒曼　切入點(diǎn)：《C大調(diào)幻想曲》　出處：《上海師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：羅伯特·舒曼(Robert Schumann,1810—1856)是19世紀(jì)上半葉歐洲浪漫主義音樂的代表人物,這位出生于德國的作曲家、鋼琴家、音樂評(píng)論家以其極富詩意幻想的音樂風(fēng)格被稱為“音樂詩人”。在舒曼一生的創(chuàng)作中,鋼琴音樂是其中不可或缺的部分。《C大調(diào)幻想曲》(Op.17)創(chuàng)作于1836-1838年之間,是舒曼鋼琴音樂中具有承上啟下作用的一部重要作品。本文以《C大調(diào)幻想曲》Op.17作為研究對(duì)象,通過分析這部作品的音樂文本和演奏體會(huì),力求更深層次的了解舒曼鋼琴作品的音樂風(fēng)格。
[Abstract]:Robert Schumannn (1810-1856) was a representative of European Romantic music in the first half of 19th century, a German-born composer and pianist. Music critics are called "music poets" for their poetic style of music. Piano music is an indispensable part of Schumann's life. < Fantasia in C major > Op. 17) was written between 1836 and 1838. Schumann piano music is an important work of connecting the preceding and the following. This paper takes Fantasia in C major as the research object, and analyzes the musical text and performance experience of this work. Strive for a deeper understanding of the music style of Schumann's piano works.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1
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本文編號(hào)：1628675