本文選題：自由低音手風(fēng)琴　切入點：流行手風(fēng)琴　出處：《西安音樂學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：從19世紀末20世紀初傳統(tǒng)手風(fēng)琴傳入我國,1908年出版有關(guān)手風(fēng)琴的教科書,傳統(tǒng)手風(fēng)琴就扎根在我國并逐漸發(fā)展、普及。自由低音手風(fēng)琴是在傳統(tǒng)手風(fēng)琴結(jié)構(gòu)和功能的基礎(chǔ)上,進行改革創(chuàng)新的時代性產(chǎn)物,它的出現(xiàn)滿足了手風(fēng)琴專業(yè)工作者們對手風(fēng)琴藝術(shù)作品更高層次的追求。在音樂藝術(shù)多元化的趨勢下,手風(fēng)琴與流行音樂結(jié)合在一起影響和帶動了傳統(tǒng)手風(fēng)琴的發(fā)展與改革,傳統(tǒng)手風(fēng)琴的音色、外形和作品創(chuàng)作都得到了相對的變化,流行手風(fēng)琴就是這次手風(fēng)琴多元化結(jié)合下的產(chǎn)物。二者一經(jīng)傳入我國都得到了良好的傳播與發(fā)展,但由于二者傳入我國時間、特點、發(fā)展與普及的差異導(dǎo)致了傳播現(xiàn)狀的不同。通過比較自由低音手風(fēng)琴與流行手風(fēng)琴在我國的傳播現(xiàn)狀,進行比較研究的具體論題。
[Abstract]:From 19th century to 20th century, the traditional accordion was introduced into our country. In 1908, the textbook on accordion was published. The traditional accordion was rooted in our country and gradually developed and popularized. The free bass accordion was based on the structure and function of the traditional accordion. The epoch product of reform and innovation satisfies the accordion professional workers' pursuit of a higher level of accordion art works. The combination of accordion and pop music has influenced and promoted the development and reform of the traditional accordion. The timbre, appearance and creation of the work of the traditional accordion have been relatively changed. The popular accordion is the product of this pluralistic combination of accordions. Both have been well spread and developed once they were introduced into China, but because of their time and characteristics, The difference between development and popularization leads to the difference of communication status. By comparing the communication status of free bass accordion and popular accordion in our country, the specific topic of comparative study is discussed.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J624.3

【參考文獻】

相關(guān)期刊論文 前2條

1 張衍;;自由低音手風(fēng)琴的誕生與其優(yōu)越性[J];北方音樂;2016年15期

2 胡小龍;;淺談流行手風(fēng)琴在當代中國的發(fā)展與影響[J];音樂大觀;2014年11期

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本文編號：1625377