民歌區(qū)劃的原則、主導(dǎo)要素與方法
發(fā)布時間:2018-03-16 13:07
本文選題:類型區(qū)劃 切入點:結(jié)構(gòu)區(qū)劃 出處:《中國音樂》2017年03期 論文類型:期刊論文
【摘要】:自然環(huán)境差異、人文地理差異與音樂主導(dǎo)要素相結(jié)合,是民歌區(qū)劃的基本原則。以民歌數(shù)量、體裁、調(diào)式、音階、曲體結(jié)構(gòu)五種主導(dǎo)要素為依據(jù),完成類型區(qū)劃。以類型區(qū)劃為基礎(chǔ),完成民歌核心區(qū)、外圍區(qū)、過渡區(qū)與民歌中心的結(jié)構(gòu)區(qū)劃。立足類型區(qū)劃與若干個結(jié)構(gòu)區(qū)劃,結(jié)合自然地理單元與方言分區(qū)、民族分布等因素,則最終可以完成實證性的中國民歌區(qū)劃研究。
[Abstract]:The combination of natural environment difference, human geography difference and music dominant factor is the basic principle of folk song regionalization, which is based on the five dominant elements of folk song quantity, genre, mode, scale and structure. Complete type regionalization. Based on type division, complete the structural regionalization of core area, peripheral area, transition area and folk song center of folk song. Based on type division and several structural divisions, combining natural geographical unit with dialect division, National distribution and other factors, we can finally complete the empirical study of the division of Chinese folk songs.
【作者單位】: 中國音樂學(xué)院;
【基金】:國家社科重點項目《中國音樂地理研究》(項目編號:12AD004)階段性成果之一
【分類號】:J607
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本文編號:1620047
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