本文選題：承德清音會(huì)　切入點(diǎn)：陜北民歌　出處：《河北大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：承德清音會(huì)是中國(guó)歷史上一種獨(dú)特的音樂(lè)形式,是介于宮廷典制性音樂(lè)與民間音樂(lè)之間的音樂(lè)形式。它產(chǎn)生于清代,隨著清帝國(guó)的覆滅而流入民間。承德清音會(huì)是避暑山莊文化的重要組成部分,是承德地方音樂(lè)的典型代表,也是我國(guó)古代多民族文化的結(jié)晶,被稱之為清帝國(guó)封建統(tǒng)治思想研究的“活化石”。陜北民歌扎根于黃土高原,歷經(jīng)千年的傳承和發(fā)展,不斷豐富了陜北民歌的文化內(nèi)涵和藝術(shù)特色。陜北民歌獨(dú)特的唱腔、樸實(shí)優(yōu)美的曲詞富有陜北粗獷和豪放的藝術(shù)特質(zhì),深深地打上鮮明的陜北地域色彩烙印。陜北民歌作為傳統(tǒng)民歌藝術(shù)中的一員,是陜北人民在生活、勞動(dòng)的真實(shí)寫照,不僅陜北人喜歡,而且不斷向全國(guó)傳播,影響著中國(guó)民歌藝術(shù)的發(fā)展。目前,中國(guó)傳統(tǒng)音樂(lè)文化的傳承相比薄弱。承德清音會(huì)局限于對(duì)遺留古譜的繼承,很難在作品的創(chuàng)新上有所突破;隨著經(jīng)濟(jì)的發(fā)展,陜北民歌則局限在對(duì)革命時(shí)期的重復(fù),也慢慢地遠(yuǎn)離了所扎根的黃土高原。承德清音會(huì)和陜北民歌都是我國(guó)傳統(tǒng)音樂(lè)的重要組成部分,雖均為非物質(zhì)文化遺產(chǎn),但在傳承上或多或少的遇到了發(fā)展的瓶頸,充分的分析二者的傳承現(xiàn)狀,認(rèn)清存在的問(wèn)題和不足,能夠?yàn)樗鼈兊母玫膫鞒刑峁┮恍┹^為合理的建議。
[Abstract]:Chengde Qing Yin Society is a unique musical form in Chinese history, which is between the court music and folk music. It originated in the Qing Dynasty. With the fall of the Qing Empire, it flowed into the people. Chengde Qingyin will be an important part of the culture of summer resort, a typical representative of Chengde local music, and also the crystallization of the ancient multi-national culture of our country. It is called the "living fossil" of the feudal rule thought of the Qing Empire. The folk songs of Northern Shaanxi are rooted in the Loess Plateau, and have been inherited and developed for thousands of years, which has enriched the cultural connotation and artistic characteristics of the folk songs of Northern Shaanxi. The simple and beautiful lyrics are rich in the rough and bold artistic characteristics of Northern Shaanxi, and are deeply marked by the distinctive regional color of Northern Shaanxi. As a member of the traditional folk song art, the folk songs in Northern Shaanxi are a true portrayal of the people living and working in Northern Shaanxi. Not only do people in northern Shaanxi like it, but they continue to spread it to the whole country, which affects the development of Chinese folk song art. At present, the inheritance of Chinese traditional music and culture is relatively weak. Chengde Qingyin will be limited to the inheritance of the ancient music left behind. It is difficult to make a breakthrough in the innovation of the works. With the development of the economy, the folk songs in Northern Shaanxi are confined to repeating the revolutionary period. Chengde Qingyin Society and Northern Shaanxi folk songs are both important components of traditional music in China. Although they are intangible cultural heritage, they have met the bottleneck of development more or less in inheritance. Fully analyzing the status quo of their inheritance, recognizing the existing problems and shortcomings, can provide some more reasonable suggestions for their better inheritance.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J607
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本文編號(hào)：1618286