本文選題：流行歌曲　切入點(diǎn)：精神空間　出處：《星海音樂學(xué)院學(xué)報(bào)》2017年03期 　論文類型：期刊論文

【摘要】：改革開放以來,中國大陸流行歌曲的文化意識(shí)和精神內(nèi)涵發(fā)生了深刻的變化。改革開放前后,鄧麗君的歌聲為中國大陸民眾實(shí)現(xiàn)了"音樂啟蒙",某種程度上拓寬了人們的精神空間;20世紀(jì)80年代中后期的"西北風(fēng)"表征著社會(huì)心理對(duì)鄉(xiāng)土的熱戀和對(duì)文化的尋根;隨后出現(xiàn)的城市民謠是中國社會(huì)城市化與社會(huì)心理不相適應(yīng)的集中表現(xiàn);90年代之后流行歌曲內(nèi)容的"個(gè)人化",展現(xiàn)的則是城市化所帶來的大眾現(xiàn)代意識(shí)的變遷。中國大陸流行歌曲內(nèi)容從"鄉(xiāng)村"到"城市"的演變,體現(xiàn)了改革開放近四十年來流行歌曲精神空間的變遷,為人們深入把握社會(huì)心態(tài)的變化提供了"心曲"明證。
[Abstract]:Since the reform and opening up, the cultural consciousness and spiritual connotation of pop songs in mainland China have undergone profound changes. Deng Lijun's singing has realized "the music enlightenment" for the Chinese mainland populace, to a certain extent has widened the people's spiritual space "the northwest wind" in the middle and late period of 80s of the 20th century symbolizes the social psychology to the native land fervent love and the seeking root to the culture; The subsequent urban ballad is a concentrated expression of the "individualization" of popular songs after the 1990s, which is not suitable for the social urbanization and social psychology in China, and shows the change of the modern consciousness of the masses brought about by urbanization. The evolution of popular songs in mainland China from "country" to "city", It reflects the change of the spiritual space of pop songs in the past forty years, and provides clear proof for people to grasp the change of social mentality.
【作者單位】： 星海音樂學(xué)院音樂研究院;
【分類號(hào)】：J605
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本文編號(hào)：1613904