本文選題：日常音樂(lè)實(shí)踐　切入點(diǎn)：曲目　出處：《中央音樂(lè)學(xué)院學(xué)報(bào)》2017年02期 　論文類(lèi)型：期刊論文

【摘要】：近年來(lái),民族音樂(lè)學(xué)界開(kāi)始關(guān)注“音樂(lè)與認(rèn)同”主題,并從不同研究路徑結(jié)合田野個(gè)案進(jìn)行分析。結(jié)合中國(guó)民族音樂(lè)學(xué)現(xiàn)狀,去關(guān)注蒙漢雜居區(qū)民眾日常音樂(lè)實(shí)踐,可以看出:地方性的音樂(lè)實(shí)踐在不同的文化語(yǔ)境中,通過(guò)不同的音樂(lè)實(shí)踐主體呈現(xiàn)出不同層次的認(rèn)同。這里的音樂(lè)細(xì)節(jié)與音樂(lè)風(fēng)格,已經(jīng)不再是單純的音樂(lè)表象,而成為了一種地方文化認(rèn)同、社會(huì)和文化意義的承載者。本文選取內(nèi)蒙古土右旗“文化大院”作為研究場(chǎng)域,對(duì)其演繹的曲目進(jìn)行分類(lèi),從而引申至文化認(rèn)同、共同性及差異性的討論。
[Abstract]:In recent years, the folk music circles began to pay attention to the theme of "music and identity", and analyzed from different research paths combined with field cases, combined with the current situation of Chinese ethnomusic, to pay close attention to the daily music practice of the people living in the mixed areas of Mongolian and Han. It can be seen that local music practice presents different levels of identity through different subjects of music practice in different cultural contexts. The details and styles of music here are no longer purely musical representations. This paper selects Tuyou Banner of Inner Mongolia as the research field, classifies its deductive repertoire, and then extends to cultural identity. Discussion of commonality and difference.
，

本文編號(hào)：1610324