本文選題：帕蒂塔　切入點(diǎn)：鍵盤組曲　出處：《四川音樂學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：《帕蒂塔》是代表J·S·巴赫所有鍵盤音樂中最為成熟的作品之一,而其中的第六組曲更是以其龐大的結(jié)構(gòu)、豐富的體裁以及獨(dú)特的音樂語言,可以稱作是巴洛克時(shí)代鍵盤演奏藝術(shù)中的雄偉杰作。較之于《英國(guó)組曲》、《法國(guó)組曲》的高貴、優(yōu)雅、莊嚴(yán)等特點(diǎn),《帕蒂塔》更趨于前衛(wèi)、大膽,顯示了豐富的想象力和獨(dú)創(chuàng)性。第六組曲尤其以優(yōu)美的旋律、龐大的規(guī)模以及豐富的織體結(jié)構(gòu)著稱,是《帕蒂塔》中最具代表性的套曲之一。著如第一首中別具匠心的運(yùn)用了托卡塔體裁;第三首庫(kù)朗特舞曲里大段華麗的快速跑句片段等特點(diǎn),這在巴赫其他鍵盤作品中都是極其罕見甚至史無前例的。巴赫將這些非傳統(tǒng)的不同樂曲體裁組合在一起,非但不覺得雜亂無章,反而使作品更加具有吸引力。本文主要以巴赫《帕蒂塔》第六組曲中的七首舞曲為分析對(duì)象,首先概括性的論述巴赫的時(shí)代背景與鍵盤組曲的發(fā)展歷程,及至《帕蒂塔》基本結(jié)構(gòu)及特點(diǎn);其后,以探尋歐洲宮廷舞蹈與巴洛克舞曲的演變過程為切入點(diǎn),著重論述七首舞曲的音樂風(fēng)格特點(diǎn);最后,結(jié)合鋼琴演奏藝術(shù)中的具體演奏手段,從演奏速度、節(jié)奏、運(yùn)音法、裝飾音、踏板等角度對(duì)各舞曲作逐一分析。筆者以撰寫碩士論文為契機(jī),一方面希望盡可能完善巴赫鍵盤組曲的相關(guān)研究,在已有研究成果基礎(chǔ)上,從探索音樂風(fēng)格特點(diǎn)方面作進(jìn)一步補(bǔ)充。另一方面希望研究成果能提供演奏者演奏該作品時(shí)參考借鑒。
[Abstract]:"Patita" is one of the most mature of all the keyboard music of JS Bach, and the 6th suites are even larger in structure, rich in genres, and unique in the language of music. It can be said to be a masterpiece in the Baroque era keyboard performance. Compared to the British Suite, French Suite, the noble, elegant, solemn and other characteristics, "Patita" tends to be more avant-garde and bold. 6th suites are especially famous for their beautiful melodies, large size and rich texture. It is one of the most representative ensembles in Patita, such as the ingenious use of the Tokata genre in the first one, and the magnificent quick running sentences in the third Kurendt dance. This is extremely rare or even unprecedented in Bach's other keyboard works. Bach combines these unconventional genres of music, not just to feel disorganized. On the contrary, it makes the works more attractive. This paper mainly focuses on the seven dance songs in the 6th suite of Bach (Patita). First of all, it discusses the background of Bach's times and the development of keyboard suites. Then, from the beginning of exploring the evolution of the European court dance and the Baroque dance, the author focuses on the musical style characteristics of the seven dance songs. Combined with the specific performance means in the art of piano performance, the author makes an analysis of each dance music from the angles of playing speed, rhythm, sound transfer method, decorative sound, pedal, etc. The author takes the writing of his master's thesis as an opportunity to write a master's thesis. On the one hand, I hope to perfect the relevant research of Bach keyboard suite as far as possible, on the basis of the existing research results, On the other hand, it is hoped that the research results can be used for reference when the performer plays the work.
【學(xué)位授予單位】：四川音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1

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本文編號(hào)：1609842