發(fā)布時間：2018-03-10 04:12

  本文選題：陜北民歌　切入點：傳統(tǒng)　出處：《中國藝術(shù)研究院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：流傳于陜北地區(qū)的漢族民歌,是世世代代陜北人情感的寄托,是其勞動生活、歷史及民俗活動的特寫。陜北特殊的文化、地理及歷史機緣賦予了陜北民歌優(yōu)越的政治及商業(yè)禮遇,使曾經(jīng)封閉的、“土”味十足的民間音樂不僅“唱紅了天”,而且還“唱出了一番新天地”,唱出了陜北、唱出了國門、甚至唱到了太空!其獨特的魅力影響感染了幾個時代。如今,為了順應(yīng)社會文化市場多元性的需求,根據(jù)陜北民歌發(fā)展態(tài)勢,有許多的文藝工作者開始介入研究陜北民歌。有的從美學(xué)角度和特征進行研究,以便借助自己的工作平臺將其發(fā)揚光大;也有根據(jù)陜北民歌的民俗現(xiàn)象對其進行研究;還有從陜北民歌的演變規(guī)律來對民歌的演繹進行分析;但是如上、都沒有涉及當(dāng)今音樂界一個普遍性的問題,即:民歌的流行化問題,而這也是陜北民歌發(fā)展中不可忽視的重要因素。因為在長期流傳的過程中,陜北民歌一直在社會和歷史的“淘汰”中發(fā)展變化著,有些傳統(tǒng)被流傳了下來,有些就被不斷地“流行化”了。本文正是在這個背景下對20世紀以來陜北民歌的“流行化”進行研究與探討。本文共分四部分,首先以緒論形式,對論文研究的意義、現(xiàn)狀分析、研究內(nèi)容、目標(biāo)、方法及相關(guān)概念進行闡述;第一章陜北民歌“現(xiàn)代化”歷程的概述;第二章就陜北民歌演唱技法的流行化進行論述;第三章對傳統(tǒng)陜北民歌演唱技法與陜北民歌之間的關(guān)系發(fā)表己見!
[Abstract]:The folk songs of the Han nationality circulating in the northern part of Shaanxi are the sustenance of the feelings of the people of northern Shaanxi for generations to come, and a close-up of their labor life, history and folklore activities. The special culture of northern Shaanxi, Geography and historical opportunities have given superior political and commercial courtesies to folk songs in northern Shaanxi, so that once closed, "earthy" folk music not only "sang the red sky," but also "sang a new world", sang out the northern part of Shaanxi, and sang out the door of the country. Even into space! Its unique charm has affected several times. Now, in order to meet the needs of social and cultural market diversity, according to the development situation of folk songs in Northern Shaanxi, Many writers and artists began to study the folk songs of Northern Shaanxi. Some of them studied from the angle of aesthetics and characteristics in order to carry forward them with the help of their own work platform, and also studied them according to the folk phenomenon of folk songs in northern Shaanxi. There is also an analysis of the interpretation of folk songs from the evolutionary law of folk songs in northern Shaanxi; however, none of the above concerns a universal issue in the music world today, that is, the popularity of folk songs. This is also an important factor that cannot be ignored in the development of folk songs in northern Shaanxi. Because during the long period of spread, folk songs in northern Shaanxi have been developing and changing in the "elimination" of society and history, and some traditions have been handed down. Some of them have been continuously "popular". This paper studies and discusses the "popularity" of folk songs in Northern Shaanxi since 20th century. This paper is divided into four parts, first of all, in the form of introduction, the significance of the research on this paper is discussed. The present situation analysis, research contents, objectives, methods and related concepts are expounded. The first chapter is an overview of the process of "modernization" of folk songs in Northern Shaanxi, the second chapter discusses the popularity of singing techniques of folk songs in Northern Shaanxi. The third chapter on the traditional Shanbei folk songs singing techniques and the relationship between Northern Shaanxi folk songs to express their own views!
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J607

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本文編號：1591700