本文選題：邵陽花鼓戲　切入點(diǎn)：唱腔　出處：《云南藝術(shù)學(xué)院》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：邵陽花鼓戲是湖南省地方小戲劇種之一，，它以戲曲形態(tài)最遲形成于清朝道光、咸豐年間，分為東路的“川調(diào)”、南路的“走場子戲”、西路的“小調(diào)”。邵陽花鼓戲也有其自己的唱腔規(guī)律，牌子、川調(diào)、小調(diào)都有著不同的演唱風(fēng)格和特點(diǎn)。 邵陽花鼓戲的音樂元素在湖南民歌演唱中的展現(xiàn)也是頗為豐富的。其唱腔在形成發(fā)展過程中經(jīng)歷了“二行當(dāng)、三行當(dāng)”、“祁劇花鼓戲班”、“成立花鼓劇團(tuán)”三個(gè)時(shí)期，每個(gè)時(shí)期都有其演唱特點(diǎn)。邵陽花鼓戲的唱腔元素，比如湖南山歌中出現(xiàn)的徵商調(diào)式的川調(diào)；湖南民歌小調(diào)中出現(xiàn)了邵陽花鼓戲的絲弦小調(diào)；每逢元宵佳節(jié)舞龍燈時(shí)所唱的《舞龍燈》出現(xiàn)了邵陽花鼓戲中高腔的特點(diǎn)。在語言上演唱旋律性較強(qiáng)語言性較弱的民歌時(shí)個(gè)別的字可用邵陽地區(qū)方言進(jìn)行演唱，可借鑒邵陽花鼓戲在語言咬字方面的特點(diǎn)加以修飾。在舞臺(tái)表演身段技法在邵陽花鼓戲里可謂十分豐富，在湖南民歌演唱中演員的表演都可看到邵陽花鼓戲各行當(dāng)身段技法的影子。 通過研究邵陽花鼓的唱腔及其音樂元素在湖南民歌演唱中的展現(xiàn)，筆者認(rèn)為在發(fā)揚(yáng)民族唱法的同時(shí)切勿忘記邵陽花鼓戲以及其他地方戲曲，作為每個(gè)地方的特色戲曲劇種應(yīng)該得到保護(hù)及傳承。
[Abstract]:Shaoyang Huagu Opera is one of the local small dramas in Hunan Province. It was formed in the late form of opera in Daoguang of Qing Dynasty and Xianfeng period. Divided into East Road "Chuan Diao", South Road "Walk play", West Road "minor". Shaoyang Huagu Opera also has its own singing rules, brands, Sichuan tune, minor tune have different singing styles and characteristics. The musical elements of Shaoyang Flower Drum Opera are also quite abundant in Hunan folk songs. In the process of its formation and development, Shaoyang Huagu Opera has experienced three periods: "two trades, three professions", "Qi Opera Flower Drum Drama Class" and "Flower Drum Drama Troupe". Every period has its own singing characteristics. Shaoyang flower drum opera singing elements, such as Hunan folk songs in the sign of commercial tune of Sichuan tune, Hunan folk songs in minor, Shaoyang flower drum drama silk string minor; The "Dragon Dance Lantern" sung during the Lantern Festival of the Lantern Festival has the characteristics of a high accent in Shaoyang Flower Drum Drama. Individual words can be sung in the local dialect of Shaoyang when singing folk songs with stronger melodies and weaker language. Shaoyang flower drum drama can be used for reference in language pronunciation characteristics to be modified. In the stage performance techniques in Shaoyang flower drum play can be described as very rich, In Hunan folk song performance, the actors can see Shaoyang flower drum play in the shadow of different styles. By studying the singing and musical elements of Shaoyang Flower Drum in Hunan folk songs, the author thinks that while carrying forward the folk singing method, Shaoyang Flower Drum Opera and other local operas should not be forgotten. As a characteristic drama of every place, it should be protected and passed on.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J616.2

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