本文關鍵詞： 新音樂學 音樂姿態(tài) 動覺 語義 文化符號　出處：《南京師范大學》2017年碩士論文　論文類型：學位論文

【摘要】：對于音樂意義的追問是音樂作品分析與詮釋的價值所在,然而如何凝聚音樂在形式與內容、能指與所指、內涵與外延上的意義合力一直成為理解音樂的核心問題。一方面,歷史文本的演繹解讀有時顯得并不可信,那些包裹在作品之外的“別有用心”常常會混淆視聽;另一方面,形式技術分析的嚴謹封閉又澆滅了音樂熾熱的表現力。在這樣的一種進退維谷的窘境之下,新音樂學試圖打破音樂與人類學、社會學、符號學、歷史學、哲學以及文化研究的堅固壁壘,將作品的解讀置于視域融合的開放域。因此,傳統(tǒng)的西方音樂學逐漸從單一的純音樂文本性模型向多元的互文性模型連同個性體驗過渡,即我們如何更加有效地認知、揉合音樂在多維度、多系統(tǒng)中所傳達的意義。在這樣的背景之下,本文試借助符號、歷史、文化研究等窗口,從糅合聽覺、視覺、動覺等感官體驗的音樂姿態(tài)現象出發(fā),探尋音樂作為一種特殊的有聲姿態(tài),如何在與創(chuàng)作者和聆聽者的心靈交互中表意,如何在歷史風格的發(fā)展過程中繼承與嬗變。通過探究音樂姿態(tài)在像似性、指示性與規(guī)約性的多重語義,挖掘其在體裁、風格上的符號內涵,追尋其在樂思發(fā)展的連貫邏輯,切入音樂理解與音樂詮釋。從而調動人體精妙的感官機制去感受音樂姿態(tài)所傳達的情緒與意象,循著音樂的動態(tài)足跡,在“難以言表”的感性體驗與文字語言表述之間找到一些平衡。
[Abstract]:The music is the essence of the analysis and interpretation of music value, but how to unite the music in the form and content, the signifier and the signified, the connotation and extension of the meaning of ability has become a core problem in understanding music. On the one hand, the interpretation of historical text interpretation is not credible, those parcels outside work "have an ulterior motive" often confuse the public; on the other hand, the form of technical analysis and performance of rigorous closed quenched hot music. Under such a dilemma dilemma, trying to break the new music of music and anthropology, sociology, semiotics, history, philosophy and cultural studies of the solid barrier, fusion in view of the interpretation of works of open domain. Therefore, the traditional western music gradually from the pure music text of a single model to model multiple intertextuality with personal experience The crossing, how we perceive more effectively, with music in multi dimension, multi system conveys meaning. In this background, this paper try to use symbols, window history, cultural studies, visual, kinesthetic and auditory from blend, sensory experience is like music attitude of exploring music as a the special sound attitude, how ideographic with creator and audience interaction in mind, how to succeed in the development process in the style of history and evolution. Through exploring the music attitude in iconicity, multiple semantic indicative and conventionality, mining in the genre, the symbol meaning of style, pursue the development of coherent thought logic in music, music and music interpretation. Starting to understand so as to arouse sensory mechanism of human body to feel subtle emotion and imagery to convey the music attitude, follow the dynamic ecological footprint of music, in "hard words" emotional experience Find some balance between words and words.

【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J602

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本文編號：1554685