本文關(guān)鍵詞： 趙鼎 藝術(shù)表演形式 作梅 神歌 雷劇 口述史 東海島 山鄉(xiāng)風(fēng)云 麻章 歌詞內(nèi)容 　出處：《藝術(shù)評論》2016年02期 　論文類型：期刊論文

【摘要】：正雷州半島曾留下了許多賢臣名將的足跡,如北宋的寇準(zhǔn)、蘇軾、蘇轍,南宋的李綱、趙鼎、李光等。在他們的影響下,雷州半島在本土文化的基礎(chǔ)上融入了較為系統(tǒng)、先進(jìn)的中原文化;加之其特殊的地理位置,又與閩南移民文化、海洋文化和中原文化相交匯,最終逐步形成了現(xiàn)有的獨(dú)特的雷州文化。雷州"姑娘"歌就是在這樣的文化語境下,由雷州口頭歌和對唱歌逐步發(fā)展起來的一種"為人歌唱、為人娛樂"的民間藝術(shù)表演形式[1]。"姑娘"歌以"歌
[Abstract]:Zhengleizhou Peninsula has left behind the footprints of many famous meritocracy, such as Kou Zhi of the Northern Song Dynasty, Su Shi, Su Zhe, Li Gang, Zhao Ding, Li Guang of the Southern Song Dynasty, etc. Under their influence, the Leizhou Peninsula has been integrated into a more systematic system on the basis of local culture. The advanced Central Plains culture, coupled with its special geographical location, intersects with Minnan immigrant culture, marine culture and Central Plains culture. Finally, the existing unique Leizhou culture was gradually formed. The "girl" song of Leizhou was a kind of "human singing" which was gradually developed from the oral songs of Leizhou and the singing of singing in such a cultural context. A form of folk art performance for human entertainment [1]. The song "girl" is called "song"
【作者單位】： 嶺南師范學(xué)院;
【分類號】：J607
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本文編號：1542507