本文關(guān)鍵詞： 女樂 娼妓 女伶 樂籍制度 俗樂　出處：《中國音樂學(xué)》2017年04期 　論文類型：期刊論文

【摘要】："女樂"在歷史中的存在衍生出巨量相關(guān)的名目與稱謂,因此往往誤導(dǎo)當(dāng)下人們的認識�？疾炫畼�,有必要從"娼妓"概念入手。什么是娼妓?什么是"女樂"?二者是指同一事物還是截然分別?二者之間有沒有歷史演化關(guān)系?"女樂""娼妓""女伶"這幾個概念之間關(guān)系如何?"女樂"概念厘定對音樂文化史研究有何意義?本文以"社會性別制度"視角進行分析,試圖理清上述問題。
[Abstract]:The existence of "women's music" in history gives rise to a huge number of related terms and appellations, so it often misleads people's understanding. To investigate women's music, it is necessary to start with the concept of "prostitutes". What is prostitution? What is "Women's Music"? Do the two refer to the same thing or the exact difference? Is there a historical evolutionary relationship between the two? What is the relationship between the concepts of "female music", "prostitute" and "actress"? What is the significance of the definition of "female Music" to the study of the history of music culture? This paper analyzes the above problems from the perspective of gender system.
【作者單位】： 菏澤學(xué)院音樂與舞蹈學(xué)院;
【分類號】：J609.2
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本文編號：1540872