本文關(guān)鍵詞： 民族室內(nèi)樂 華樂室內(nèi)樂 絲竹樂 精致化 個性化　出處：《中國音樂學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：由于民族室內(nèi)樂還是算是較新的樂種所以我們都統(tǒng)稱他們?yōu)槊褡迨覂?nèi)樂,所以我在的第一章就提到室內(nèi)樂的現(xiàn)今發(fā)展概況,我們需要了解現(xiàn)今需求,才能知道指揮可以在哪方面上協(xié)助。第二章我對民族室內(nèi)樂進(jìn)行歸類,指揮需要認(rèn)識到什么類型的室內(nèi)樂是有必要指揮,或什么類型是無需要指揮的。而民族室內(nèi)樂與指揮的關(guān)系其實是因為現(xiàn)今的作品的演奏水平較高,所以需要指揮來協(xié)助演奏員。第三章則把指揮的效用分成“臺上”與“臺下”指揮所扮演的角色。第四章是我認(rèn)為指揮在指揮室內(nèi)樂最重要的一點“度”,也就是及時需要“控制”演奏員,及時需要“放開”演奏員自行演奏,這一觀點也是指揮室內(nèi)樂和大型樂隊的最大分別。最后一章則是我對排練室內(nèi)樂和對排練大型樂隊時所要求的異同之處。我希望通過此論文,將書籍和前輩指揮們的學(xué)說匯總,對將來民族室內(nèi)樂與指揮有所幫助與啟發(fā)。
[Abstract]:Because national chamber music is still a relatively new kind of music, so we all call them national chamber music, so in the first chapter I mentioned the general situation of the present development of chamber music. We need to understand the needs of the present day. In order to know where the command can assist. Chapter two, I classify the national chamber music, command needs to realize what kind of chamber music is necessary to direct. Or what type of music does not need to be directed. And the relationship between chamber music and conductor is actually due to the high level of performance of today's works. The third chapter divides the effectiveness of the conductor into the roles played by the conductor on the stage and off the stage. Chapter 4th is what I think is the most important "degree" of conducting chamber music. Need "control" players in time, Need to "let go" the player to play on his own, This point of view is also the biggest difference between conducting chamber music and large bands. The last chapter is about the similarities and differences that I need to rehearse chamber music and rehearse large bands. To the future of the national chamber music and command to help and inspire.
【學(xué)位授予單位】：中國音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J615.2

【相似文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 黃德勵;對指揮在民族室內(nèi)樂演奏中的地位和作用的思考[D];中國音樂學(xué)院;2017年

，

本文編號：1540715