本文關(guān)鍵詞： 社會(huì)交流 環(huán)境聲音 音響記憶 音樂(lè)需求 音樂(lè)選擇　出處：《民族藝術(shù)》2017年05期 　論文類(lèi)型：期刊論文

【摘要】：我們?nèi)绾卫斫庖魳?lè)選擇,相當(dāng)程度上取決于音樂(lè)制品生產(chǎn)及分配過(guò)程中的商品化。只有當(dāng)經(jīng)濟(jì)交流的某些特征在我們稱(chēng)之為向市場(chǎng)經(jīng)濟(jì)過(guò)渡的社會(huì)秩序框架中得以發(fā)展,我們才能觀察到這一過(guò)程。盡管這一階段中涌現(xiàn)的產(chǎn)物并未像一般意義上的藝術(shù)品那樣被完全看作市場(chǎng)產(chǎn)品,但無(wú)論它們是否情愿,都相繼得到了轉(zhuǎn)化。因而,我們真的能選擇音樂(lè)嗎?我們真的是從音樂(lè)的角度進(jìn)行選擇,即通過(guò)自由的考量而做出行動(dòng),而非被迫地滿(mǎn)足所有真實(shí)或想象中的預(yù)期嗎?我們真能在現(xiàn)實(shí)中精于選擇,且真有所可選嗎?盡管該論題在科學(xué)文獻(xiàn)中鮮有論及,但這正是從社會(huì)交流視角中討論音樂(lè)選擇所應(yīng)該面對(duì)的重要問(wèn)題。
[Abstract]:How we understand music choices depends, to a large extent, on the commercialization of the production and distribution of music products. Only when certain features of economic exchange develop within the framework of what we call a social order in the transition to a market economy, We can only observe this process. Although the products that emerge from this stage are not completely considered as market products as works of art in general, they are transformed successively, whether they are willing or not. Can we really choose music? Are we really making choices from a musical point of view, that is, acting through free consideration rather than being forced to meet all real or imagined expectations? Can we really be good at choosing in reality, and are there really options? Although this topic is rarely discussed in the scientific literature, it is an important issue in the discussion of music choice from the perspective of social communication.
【作者單位】： 上海音樂(lè)學(xué)院;
【分類(lèi)號(hào)】：J605
，

本文編號(hào)：1529458