本文關(guān)鍵詞： 大曲 曲破 源流 曲體革新　出處：《中國音樂學》2017年04期 　論文類型：期刊論文

【摘要】：曲破是一種源于唐大曲的曲種,經(jīng)改制而成為宋代音樂的特色品種。在宋代,有六十多個曲破的曲名可考,另有數(shù)十處與之相關(guān)的記錄。曲破的結(jié)構(gòu)既有一定規(guī)范,也具有多樣的形態(tài);依演出需要而呈現(xiàn)不同的功能。曲破具有豐富的藝術(shù)內(nèi)容,包含樂器演奏、歌唱、舞蹈等形式。雖然曲破源于唐大曲的入破,在制作、表演、結(jié)構(gòu)等方面和大曲有千絲萬縷的關(guān)系,但是,宋代曲破不僅在藝術(shù)上代表了一種曲體革新,并且取代大曲而被廣泛使用于儀式,具有重要的禮樂意義。
[Abstract]:Song break is a kind of song that originated from Tang Daqu, and has become the characteristic variety of song music by reforming its system. In Song Dynasty, there were more than 60 song names to be tested, and dozens of related records. The structure of song break has some standard. It also has a variety of forms; it has different functions according to the needs of the performance. It has rich artistic content, including musical instrument playing, singing, dancing and so on. Although it originated from the breaking of the Tang Dynasty, it is making and performing. The structure and other aspects are closely related to Daqu. However, the song break in the Song Dynasty not only represents a kind of innovation in the art, but also replaces Daqu and is widely used in ritual, which has important significance of etiquette and music.
【作者單位】： 溫州大學人文學院;
【分類號】：J609.2

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2 孫星群;西夏漢文本《雜字》“音樂部”之剖析[J];音樂研究;1991年04期

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本文編號：1526361