天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當(dāng)前位置:主頁 > 文藝論文 > 音樂藝術(shù)論文 >

房中與《房中祠樂》的性質(zhì)

發(fā)布時間:2018-02-08 10:09

  本文關(guān)鍵詞: 房中 宗廟 東廂房 食舉樂 燕樂 出處:《北京師范大學(xué)學(xué)報(社會科學(xué)版)》2017年05期  論文類型:期刊論文


【摘要】:《房中祠樂》向來被認(rèn)為是后妃房中樂,同時又是宗廟祭祀樂。驗諸史籍發(fā)現(xiàn),《房中祠樂》既無后妃房中的因素,亦無宗廟祭祀樂的內(nèi)容。后妃房中樂的看法主要是受到了鄭玄房中即后妃房中說的影響,這種看法大可懷疑:調(diào)查從先秦到《房中祠樂》產(chǎn)生之前的相關(guān)史料,就會發(fā)現(xiàn)"房中"一詞并無女性閨房的用例,大多的房中是指宗廟或朝堂的東西廂房,這足以證明《房中祠樂》定性為后妃房中祭祀樂是錯誤的。由此產(chǎn)生的另一個疑問是《房中祠樂》為宗廟祭祀樂的說法。回到最初記載《房中祠樂》的《漢書》,又會發(fā)現(xiàn)《房中祠樂》不是作為宗廟祭祀樂記載的。再結(jié)合《淮南子》等文獻(xiàn),可以明白《房中祠樂》有著宗廟食舉樂應(yīng)有的內(nèi)容,在時間、順序、地點(diǎn)上與宗廟食舉樂的特征完全吻合,因而應(yīng)該是宗廟食舉樂,而不是宗廟祭祀樂。了解《房中祠樂》的性質(zhì)與雅樂一樂多用的使用方法,對于了解樂府題意不合的現(xiàn)象有著重要的意義。
[Abstract]:"Fangzhong Temple Music" has always been considered to be the music in the imperial concubine's room, and at the same time it is also the sacrificial music of the temple. According to historical records, "Temple Music in the House" has no factors in the imperial concubine's room. There is also no content of sacrificial music in the temple. The view of music in the imperial concubine's room was mainly influenced by what Zheng Xuanfang said in the room of the queen. This view can be doubted: investigate the relevant historical materials from the pre-Qin period to the time before the birth of "Temple Music in the House". You will find that the word "in a room" does not have a use case for a woman's boudoir, most of which refer to the temple or Chaotang's room. This is enough to prove that it is wrong to characterize the "temple music in a room" as "sacrificial music" in the imperial concubine's room. Another question that arises from this is the statement that "the temple music in the house" is the sacrifice music of the temple. Back to the "Han Shu", which originally recorded the "ancestral music in the house", It will also be found that "Fangzhong Temple Music" is not recorded as a sacrificial music in a temple. In combination with "Huainan Zi" and other documents, It can be understood that "Temple Music in the House" has the proper contents of the Zongmiao food lifting music. It is completely consistent with the characteristics of the ancestral temple food raising music in time, order, and place, so it should be the ancestral temple food lift music. It is of great significance to understand the nature of "Temple Music in the House" and the multi-use method of "elegant music" to understand the phenomenon that the meaning of Yuefu is different.
【作者單位】: 北京師范大學(xué)文學(xué)院;
【基金】:北京市社會科學(xué)基金重點(diǎn)項目“樂府的音樂文學(xué)體制”(15WYA005)
【分類號】:J609.2;K22

【相似文獻(xiàn)】

相關(guān)期刊論文 前1條

1 魯立智;;房中祠樂源流考[J];求索;2012年03期

,

本文編號:1495200

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/yinlelunwen/1495200.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶65e56***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com