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閔惠芬與二胡“聲腔化”藝術(shù)

發(fā)布時(shí)間:2018-02-07 16:20

  本文關(guān)鍵詞: 閔惠芬 二胡聲腔化 二度創(chuàng)作 出處:《山東師范大學(xué)》2017年碩士論文 論文類型:學(xué)位論文


【摘要】:二胡,別名胡琴,是中國民族樂器中最具代表性的拉弦樂器。胡琴最早用來為民間戲曲音樂伴奏,直到近代劉天華先生學(xué)習(xí)借鑒西方的演奏技法和技巧,將把位擴(kuò)充,創(chuàng)新了揉弦,二胡才從伴奏樂器提升到了主奏樂器的地位。五十多年來,二胡事業(yè)不斷發(fā)展,進(jìn)入繁盛時(shí)期。涌現(xiàn)了一大批優(yōu)秀的二胡演奏家、作曲家,并創(chuàng)作了很多膾炙人口的經(jīng)典作品,可謂是一派百花齊放的局面。二胡之所以能夠走上聲腔化的道路,是因?yàn)槎囊羯崦兰?xì)膩,富有歌唱性,琴筒有蟒皮蒙制,善于模仿人聲,能夠細(xì)致地表達(dá)各種類型的音樂情緒情感。憑借著優(yōu)秀的音樂基因和濃郁的民族音樂氛圍以及后天的不懈努力,閔惠芬走上二胡表演之路。為了將二胡表演推向一個(gè)新的高度,閔惠芬選擇了一條更為艱難的路子—“二胡聲腔化”藝術(shù)道路。從狹義上講,“二胡聲腔化”是將中國戲曲唱腔藝術(shù)中的特征與創(chuàng)作手法運(yùn)用到二胡演奏中,進(jìn)行二度創(chuàng)作。為了實(shí)現(xiàn)“二胡聲腔化”演奏的藝術(shù)追求,閔惠芬虛心向眾多的戲曲表演藝術(shù)家和民間藝人求教,潛心鉆研我國優(yōu)秀的民族民間音樂、說唱音樂、戲曲音樂等藝術(shù)形式,推陳出新,依據(jù)許多收集到的民間曲調(diào)與音樂素材,成功改編了諸如《寶玉哭靈》、《昭君出塞》、《逍遙津》等優(yōu)秀的二胡作品。閔惠芬不僅因此成為了一代二胡音樂宗師,還為二胡音樂的繼承與發(fā)揚(yáng)作出了杰出的貢獻(xiàn),在我國音樂史上留下了濃墨重彩的一筆。本文運(yùn)用的研究方法:一、觀察研究法:在對音樂的研究中,反復(fù)地聽即為觀察,通過對音樂作品不同版本的“觀察”進(jìn)行研究分析,形成對客觀事物最直觀的印象和看法。二、經(jīng)驗(yàn)總結(jié)法:通過戲曲聲腔理論、中國民族民間音樂、二胡演奏技法等理論對其整理分析,進(jìn)行深層次的剖析,并根據(jù)自己習(xí)琴的經(jīng)驗(yàn)感受,結(jié)合音樂表演學(xué)理論,探究其對二胡聲腔化作品的理解和感受。三、文獻(xiàn)分析法與資料查詢法:首先,通過調(diào)查大量豐富的相關(guān)文獻(xiàn)來獲得資料,從而全面地、正確地了解和詮釋研究課題,其次,能將所有文獻(xiàn)資料進(jìn)行比較,并最終整合和升華,形成有力的論據(jù),最后,可以最大限度地從客觀事實(shí)出發(fā),保證論文的準(zhǔn)確性。
[Abstract]:Erhu, also known as Hu Qin, is the most representative string instrument in Chinese national musical instruments. Hu Qin was first used to accompany folk opera music, until modern Mr. Liu Tianhua learned to learn from Western playing techniques and skills, and will expand his position. The erhu changed from an accompaniment instrument to a leading instrument. Over the past 50 years, Erhu's career has been developing and has entered a prosperous period. A large number of excellent erhu players and composers have emerged. He has created a lot of famous classics, which can be said to be a situation in which a hundred flowers bloom. The reason why the erhu is able to embark on the road of voice is that the tone of the erhu is soft and delicate, it is full of singing, and the piano barrel has a python skin cover system. Good at imitating human voice, able to express all kinds of musical emotions in detail. With excellent music genes, strong folk music atmosphere and the day after tomorrow's unremitting efforts, Min Huifen embarked on the road of erhu performance. In order to push the erhu performance to a new height, Min Huifen chose a more difficult way-"erhu voice" art path. In a narrow sense, "erhu vocalization" is the application of the characteristics and creative techniques of Chinese opera singing art to erhu performance. In order to achieve the artistic pursuit of "erhu vocalization", Min Huifen sought advice from many opera performing artists and folk artists with an open mind, and devoted himself to studying China's excellent folk music and rap music. Traditional Chinese opera and other forms of art, such as traditional Chinese opera, bring forth the new from the past. According to many collected folk tunes and musical materials, He has successfully adapted excellent erhu works such as "Baoyu crying Spirit", "Zhaojun out of the Wall", "Xiaoyaojin" and other excellent erhu works. Min Huifen has not only become a master of erhu music of a generation, but has also made outstanding contributions to the inheritance and development of erhu music. The research methods used in this paper are as follows: first, observation: in the study of music, listening repeatedly is observation, and through the study of different versions of music works, "observation" is studied and analyzed. Forming the most intuitionistic impression and view of objective things. Second, experience summing up: through the theory of Chinese folk music, Chinese folk music, erhu playing techniques and other theories to sort out and analyze, carry on the deep level analysis, And according to their own experience and feelings of playing piano, combined with the theory of music performance, to explore its understanding and feelings of erhu vocalization works. Third, literature analysis and data query method: first, through the investigation of a large number of relevant documents to obtain information. In order to comprehensively and correctly understand and interpret the research topic, secondly, it can compare all the documents and materials, and finally integrate and sublimate them to form a strong argument. Finally, we can proceed from the objective facts to the maximum extent. Ensure the accuracy of the paper.
【學(xué)位授予單位】:山東師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J632.21

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 楊易禾;試論演奏個(gè)性[J];中央音樂學(xué)院學(xué)報(bào);1998年04期

相關(guān)碩士學(xué)位論文 前1條

1 周芳;二胡聲腔化演奏在《蘭花花敘事曲》和《洪湖人民的心愿》中的運(yùn)用[D];中國音樂學(xué)院;2010年

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