本文關(guān)鍵詞： 西貝柳斯 第五交響曲 主題結(jié)構(gòu) 曲式結(jié)構(gòu)　出處：《山東師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：讓·西貝柳斯(1865-1957)是19世紀芬蘭民族樂派、浪漫晚期的代表人物。1915-1919年歷時4年所創(chuàng)作的bE大調(diào)《第五交響曲》修改兩次后才最終定稿,從他遺留下來的草稿中可以看到許多試圖解決、構(gòu)造這部大型作品的不同方案。這部交響曲鮮明地反映出他對大自然的熱愛,也充分展現(xiàn)了他繼承古典、浪漫主義精髓的特點,還表明他并未使用當時探索現(xiàn)代音樂的種種技法,而是繼承傳統(tǒng)并在此基礎(chǔ)上具有極富個人特色的創(chuàng)新。本文以《第五交響曲》主題結(jié)構(gòu)的研究為主線,力圖探究作曲家在創(chuàng)作中最有特點的主題構(gòu)造手法并進行歸納。全文分為引言、第一章、第二章、第三章以及結(jié)語五部分。引言部分概述了西貝柳斯的創(chuàng)作生涯及《第五交響曲》的創(chuàng)作風(fēng)格與特點。第一章到第三章分別以“各樂章內(nèi)部主題結(jié)構(gòu)的生成特點”“各樂章之間主題的聯(lián)系”以及“主題結(jié)構(gòu)及其變化對曲式結(jié)構(gòu)的影響”為綱系統(tǒng)論述了西貝柳斯《第五交響曲》的主題結(jié)構(gòu)及其變化特點,通過分析、歸納主題結(jié)構(gòu)的生成特點而探索各個樂章之間主題的聯(lián)系,并從而確定受此影響所生成的曲式結(jié)構(gòu)。結(jié)語部分對上述三章的內(nèi)容進行了總結(jié),從理性的思維角度出發(fā),完成對其創(chuàng)作理念的深入探究,從而更好的回歸作品本身并感受其中蘊含的深遠意義。
[Abstract]:Jean Sibeliusk (1865-1957) is the finalist of Finnish national music in 19th century. The late Romantic figure, "Symphony 5th" in b E major, written four years from 1915-1919, was revised twice before being finalized. From the drafts he left behind, you can see many different plans to solve and construct this big work. The symphony clearly reflects his love of nature and fully demonstrates the characteristics of his inheritance of the classical, romantic essence. It also shows that he did not use the techniques of exploring modern music at that time, but inherited the tradition and on the basis of which he had extremely personal characteristics. The main line of this paper is the study of the theme structure of < 5th Symphony >. Try to explore the composers in the creation of the most characteristic thematic construction techniques and induction. The full text is divided into the introduction, the first chapter, the second chapter, The third chapter and the conclusion five parts. The introduction part summarizes the creation career of Sibelius and the creation style and characteristic of "5th Symphony". The first to the third chapter respectively with "each movement internal theme structure generation characteristic" The relationship between the themes and the influence of the theme structure and its changes on the form structure of Symphony 5th of Sibelius are discussed systematically. Through analysis, the characteristics of theme structure are summarized and the relationship between themes is explored, and the structure of musical form generated by this influence is determined. The conclusion part summarizes the contents of the above three chapters. From the perspective of rational thinking, the author completes the deep exploration of his creative ideas, so as to better return to the work itself and feel the profound significance contained therein.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J614

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