本文關(guān)鍵詞： 和聲 調(diào)性 樸素 理性 對(duì)比 控制　出處：《上海師范大學(xué)》2016年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：從百年中國(guó)藝術(shù)歌曲發(fā)展來(lái)看,中國(guó)藝術(shù)歌曲始終是不斷向前創(chuàng)新發(fā)展的。在創(chuàng)新發(fā)展的同時(shí)亦應(yīng)堅(jiān)持完整地繼承。筆者在學(xué)習(xí)演唱《一個(gè)黑人姑娘在歌唱》時(shí)逐漸對(duì)歌曲產(chǎn)生濃厚興趣。欲將筆者所學(xué)所感記錄下來(lái)。本文按照筆者接觸作品時(shí)的學(xué)習(xí)順序,演唱前對(duì)詞曲作者艾青詩(shī)歌樸素風(fēng)格的了解、艾青生平及其性格;曲作者杜鳴心創(chuàng)作具有音樂(lè)形象鮮明、旋律音調(diào)優(yōu)美、和聲配器簡(jiǎn)潔,力求體現(xiàn)中國(guó)民族音樂(lè)所特有的風(fēng)格,以及中國(guó)文化所特有的精神、創(chuàng)作技法兼容并包,吸取20世紀(jì)西方各國(guó)現(xiàn)代音樂(lè)創(chuàng)作經(jīng)驗(yàn)。他對(duì)現(xiàn)代創(chuàng)作技法的運(yùn)用,服從于作品的內(nèi)容,同中國(guó)傳統(tǒng)音樂(lè)風(fēng)格結(jié)合,為廣大音樂(lè)愛(ài)好者所理解。旋律的作用和調(diào)性的思維,始終在他的創(chuàng)作中占有突出的地位。筆者對(duì)本作品創(chuàng)作背景的了解,深刻體會(huì)了作品內(nèi)在的感情,在音樂(lè)本體方面進(jìn)行分析和總結(jié),淺析了曲式、和聲,伴奏織體,變格終止,調(diào)性色彩變化。在演唱體驗(yàn)方面敘述個(gè)人所想所感,以詩(shī)歌句子為單位闡述了個(gè)人體驗(yàn):詩(shī)歌“樸素、熱烈、直白、含蓄”。演唱時(shí)內(nèi)斂平靜,理性控制。以親切深沉的表達(dá)方式打動(dòng)人心。
[Abstract]:Judging from the century-old development of Chinese art songs, Chinese art songs have always been innovating and developing continuously. While innovating and developing, they should also be inherited completely. I am learning to sing "A Black Girl in singing" and gradually have a strong interest in the songs. What I have learned is recorded in this paper according to the order in which I come into contact with the work, Before singing, the writer knows the simple style of Ai Qing's poetry, the life and character of Ai Qing, and the songwriter Du Mingxin has a distinctive musical image, a beautiful melody and a succinct orchestration, in an effort to embody the unique style of Chinese folk music. And the unique spirit of Chinese culture, the combination of creative techniques and techniques, drawing on the experience of modern music creation in western countries in 20th century. His application of modern creative techniques was based on the content of his works and combined with the traditional Chinese music style. Music lovers understand. The role of melody and tonal thinking, has always occupied a prominent position in his creation. The author's understanding of the background of the creation of this work, a profound understanding of the inner feelings of the work, In the music Noumenon analysis and summary, analysis of the form, harmony, accompaniment texture, change of stop, tonal color change. In the singing experience, describe personal thoughts and feelings, Based on the poetic sentences, the author expounds his personal experience as follows: the poem is simple, warm, straightforward and implicit, while singing is composed and calm, rationally controlled, and moved by a kind and deep expression.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J616

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

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本文編號(hào)：1483674