本文關(guān)鍵詞： 打擊樂器 手指 現(xiàn)代分指技巧　出處：《中央音樂學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：在打擊樂的表演藝術(shù)中,演奏者無論演奏哪一件樂器,一般情況下都離不開手的運(yùn)用,因此在演奏時(shí)手經(jīng)常會(huì)劃分出不同部位來進(jìn)行演奏,演奏和手的運(yùn)用兩者是息息相關(guān)的。無論演奏者是否手持鼓槌都少不了運(yùn)用到手其中的一些部位來進(jìn)行演奏。例如:手臂結(jié)合手腕、手腕結(jié)合手指等,這些演奏方式在當(dāng)代打擊樂演奏中都是非常普遍的。然而由于社會(huì)迅速的發(fā)展,帶動(dòng)許多國家文化與藝術(shù)的交流,因此對(duì)打擊樂演奏的方法與要求也越來越多樣化。許多作曲家、打擊樂演奏家都勇于探索和尋找打擊樂器新的演奏方式和音色。本文從筆者對(duì)打擊樂學(xué)習(xí)和演奏的經(jīng)歷出發(fā),通過對(duì)打擊樂現(xiàn)代分指技巧進(jìn)行解析,并對(duì)不同風(fēng)格的打擊樂作品作譜例分析,力圖詳盡闡述現(xiàn)代分指技巧進(jìn)的練習(xí)及運(yùn)用的方法。第一章從歷史記載最早的鼓類打擊樂器入手,分別概括介紹其中幾件印度最具代表性的鼓類樂器,并且概述各樂器的基本特征和演奏形式;第二節(jié)主要概括這些鼓類樂器演奏方式和技巧的演變;第三節(jié)則是以基本標(biāo)記法和圖片說明,讓讀者具體了解現(xiàn)代分指技巧的基本演奏方式;第四節(jié)通過練習(xí)片段來實(shí)際的掌握分指技巧操作和運(yùn)用方式;第二章和第三章則通過不同風(fēng)格的作品來進(jìn)行分指技巧的應(yīng)用與分析。本文通過三個(gè)章節(jié)來詳細(xì)的介紹、講解和分析現(xiàn)代分指技巧。希望讓讀者對(duì)現(xiàn)代分指技巧有一個(gè)更具體的了解,并有別于口傳心授的學(xué)習(xí)方式,幫助演奏者理解現(xiàn)代分指的技術(shù)方法,通過多方面的練習(xí)和譜例來進(jìn)行分析與實(shí)際操作,促進(jìn)打擊樂演奏藝術(shù)的蓬勃發(fā)展。
[Abstract]:In percussion performing art, no matter which instrument the performer plays, generally speaking, the hand can not be separated from the use of the hand, so the hand will often be divided into different parts to play. Playing and the use of the hand are closely related. Whether the player holds a drumstick or not, it is necessary to use some parts of the hand to play. For example: arm to wrist, wrist to fingers, and so on. These performance methods are very common in contemporary percussion performance. However, due to the rapid development of society, many countries promote the exchange of culture and art. Therefore, the methods and requirements of percussion performance are more and more diversified. Many composers. Percussion musicians are brave to explore and find new percussion instruments playing ways and timbre. This article from the author of percussion music learning and performance experience through the modern percussion techniques to analyze. And the different styles of percussion works for the spectral analysis, trying to elaborate the modern finger division techniques of practice and use of methods. Chapter one from the history of the earliest drum percussion instruments. Several of the most representative drum instruments in India are introduced respectively, and the basic characteristics and playing forms of each instrument are summarized. The second section summarizes the evolution of the playing methods and techniques of these drum instruments. The third section is to use the basic marking method and picture description to let the reader understand the basic playing method of the modern finger separation technique. Section 4th through the practice segment to grasp the actual operation and application of finger division skills; The second chapter and the third chapter through different styles of works to carry out the application and analysis of the finger separation techniques. This article through three chapters to introduce in detail. It is hoped that the reader will have a more specific understanding of the modern finger-splitting technique, which will help the performer understand the technical method of modern finger-splitting, as opposed to the oral instruction. Through many kinds of practice and spectrum examples to carry on the analysis and the actual operation, promotes the percussion music performance art vigorous development.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J625
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本文編號(hào)：1471862