本文關(guān)鍵詞： 新音樂 南洋巡演 中華歌舞團 武漢合唱團 中國歌舞劇藝社　出處：《藝術(shù)評鑒》2016年13期 　論文類型：期刊論文

【摘要】：中國的新音樂始于19世紀末20世紀初,是以學堂樂歌作為啟蒙標志發(fā)展起來的,20年代才真正進入專業(yè)音樂創(chuàng)作時期。新音樂傳入南洋亦是從此時開始,它的流傳有多種途徑,其中一些藝術(shù)團體(如中華歌舞團、武漢合唱團、中國歌舞劇藝社等)赴南洋的巡演是最主要的,影響也是最大的。本文旨在通過史實、史料的梳理,對當時藝術(shù)團體赴南洋巡演的情況及代表性作品進行分析,從而總結(jié)中國近代新音樂在南洋華僑中產(chǎn)生的深遠影響。
[Abstract]:The new music in China began at the end of 19th century and the beginning of 20th century. It was only in the 1920s, when the school music was developed as a sign of enlightenment, that the new music really entered the period of professional music creation, and the introduction of new music into the Nanyang also began at this time. There are many ways to spread it, among which some artistic groups (such as Chinese Song and Dance Troupe, Wuhan Choir, Chinese Song and Dance Drama and Art Society) are the most important and the most influential. Combing the historical data, this paper analyzes the situation and representative works of the artistic group touring the Nanyang at that time, and sums up the profound influence of the new music in modern China on the overseas Chinese in the Nanyang.
【作者單位】： 云南藝術(shù)學院音樂學院;
【分類號】：J609.1
【正文快照】： “新音樂”這一概念,最早是由學堂樂歌時期的音樂家曾志_尢岢齙，

本文編號：1452554