本文關(guān)鍵詞： 海州五大宮調(diào) 非物質(zhì)文化遺產(chǎn) 保護(hù)與傳承 傳承人　出處：《揚州大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：“海州五大宮調(diào)”孕育在連云港(古稱海州)這樣一個歷史悠久、文化積淀深厚的古城,它吸收了揚州及兩淮的多種音樂文化元素,在長期的社會發(fā)展進(jìn)程,在連云港自然環(huán)境、人文背景、社會變革中,逐漸形成了具有自己獨特風(fēng)格的地方民間藝術(shù)。從海州五大宮調(diào)中折射出海州民眾的情感方式、價值觀念、審美情趣,由歷代藝人靜心凝煉留存下來,成為海州民眾社會生活中珍貴的藝術(shù)財富。海州五大宮調(diào)獨特藝術(shù)風(fēng)格使之于2006年5月20日獲批為第一批國家級非物質(zhì)文化遺產(chǎn)名錄。本文對海州五大宮調(diào)小曲堂、傳承基地進(jìn)行了廣泛的田野考察,在親歷了小曲堂碰曲及展演全過程的基礎(chǔ)上,通過對連云港歷史概貌的梳理、實地的田野調(diào)查、音樂形態(tài)的分析、代表性官員、學(xué)者及傳承人的訪談等多方面的考察,對海州五大宮調(diào)進(jìn)行較全面的觀察與深入研究。研究表明,海州五大宮調(diào)以其豐富的內(nèi)容和獨特的藝術(shù)形式體現(xiàn)著深厚的文化底蘊和極富地域特色的音樂元素,歷來深受廣大民眾的喜愛。在老百姓的日常生產(chǎn)和生活中發(fā)揮著重要的功能,也是當(dāng)?shù)孛癖娋裣硎艿闹匾耐�。除引言和結(jié)語外,本文分為五個部分。第一部分主要闡述“海州五大宮調(diào)”的選題緣由、目前國內(nèi)外研究現(xiàn)狀、海州五大宮調(diào)的研究意義、方法及創(chuàng)新點;第二部分是由海州五大宮調(diào)產(chǎn)生的地理場域、社會人文背景、歷史發(fā)展階段及海州五大宮調(diào)的稱謂探析等內(nèi)容組成;第三部分探討海州五大宮調(diào)音樂本體的藝術(shù)特點,這一部分主要從海州五大宮調(diào)的演唱曲牌、表演形式、伴奏樂器以及代表性的曲牌進(jìn)行論述,并對大調(diào)[軟平]《天臺有路人難到》、套曲[南調(diào)]《從南飛來一群雁》、集曲《俏人兒我的心肝》三首海州五大宮調(diào)代表性曲牌分別運用了不同的分析方法進(jìn)行音樂結(jié)構(gòu)的探析;第四部分是對海州五大宮調(diào)的田野調(diào)查,這一章是本文的重點,筆者經(jīng)過長期田野調(diào)查,對海州五大宮調(diào)目前的傳承方式和途徑進(jìn)行了一次現(xiàn)狀梳理,并且對代表性的官員、學(xué)者、傳承人、社會民眾等不同社會身份的人進(jìn)行訪談,最后探析海州五大宮調(diào)目前保護(hù)和傳承存在的一些問題;第五部分是對海州五大宮調(diào)保護(hù)和傳承路徑的探索,針對海州五大宮調(diào)正處于“后繼無人”的瀕危狀況和保護(hù)與傳承出現(xiàn)的問題,筆者提出了完善海州五大宮調(diào)保護(hù)與傳承的建議和對策。
[Abstract]:"Haizhou five Palace tune" was conceived in Lianyungang (known as Haizhou) as an ancient city with a long history and profound cultural accumulation. It absorbed many musical and cultural elements of Yangzhou and Lianghuai, and developed in the long-term social development process. In Lianyungang natural environment, humanistic background, social change, gradually formed its own unique style of local folk art, from the five palaces of Haizhou reflected the emotional way of Haizhou people, values. Aesthetic taste, by the past generation artists calm down to survive. In May 20th 2006, the unique artistic style of the five palaces of Haizhou was approved as the first batch of national intangible cultural heritage list. Palace tune Xiao qu Tang. Heritage base carried out a wide range of field investigations, in the experience of Xiaodu Tang and the entire process of the exhibition, through the historical overview of Lianyungang combing, field investigation, music form analysis. Representative officials, scholars and inheritors of interviews and other aspects of the investigation, Haizhou five Palace tone for a more comprehensive observation and in-depth study. With its rich content and unique artistic form, the five palaces of Haizhou embody profound cultural background and music elements with extremely rich regional characteristics. Has always been deeply loved by the general public. It plays an important role in the daily production and life of the common people, and is also an important sustenance of local people's spiritual enjoyment. In addition to the introduction and conclusion. This paper is divided into five parts. The first part mainly describes the reason of the topic of "Haizhou five Palace tune", the current domestic and foreign research situation, the research significance, method and innovation of Haizhou five Palace tune; The second part is composed of the geographical field, the social and humanistic background, the historical development stage and the appellation of the five palaces of Haizhou. The third part discusses the artistic characteristics of the musical Noumenon of the five palace tunes in Haizhou. This part mainly discusses the singing music, performing forms, accompaniment instruments and representative tunes of the five palace tunes in Haizhou, and discusses the major tunes in major. ["soft flat]" A passer-by on the rooftop is hard to get to. " ["A group of geese flying from the south", the collection song "my Heart and liver of Beauty", three representative tunes of the five major palace tunes in Haizhou, respectively, used different analytical methods to analyze the music structure; The 4th part is the field survey of Haizhou five Palace tune, this chapter is the focus of this article. After a long period of field investigation, the author of Haizhou five Palace tune of the current inheritance of the way and ways to sort out a current situation. And to the representative officials, scholars, inheritors, social people and other different social identity interviews, the last analysis of the five palaces of Haizhou at present protection and inheritance of some problems; The 5th part is the exploration of the protection and inheritance path of the five palaces in Haizhou, aiming at the endangered situation and the problems of protection and inheritance of the five major palaces in Haizhou. The author puts forward some suggestions and countermeasures to improve the protection and inheritance of the five major palaces in Haizhou.
【學(xué)位授予單位】：揚州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J607

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