本文關(guān)鍵詞： 新疆鄯善縣 嗩吶 審美文化　出處：《新疆師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：新疆鄯善縣維吾爾嗩吶是維吾爾族傳統(tǒng)文化中的瑰寶,凝聚了幾代維吾爾族人的心血。它以其獨(dú)特的藝術(shù)魅力,深受維吾爾族人民的喜愛(ài),它扎根于維吾爾族人民生活中,成為人們儀式活動(dòng)、婚慶喜事、民族文化交流中必不可少的工具。目前在學(xué)術(shù)界雖然對(duì)維吾爾族嗩吶有相關(guān)的介紹,但沒(méi)有對(duì)鄯善縣維吾爾族嗩吶進(jìn)行深入的介紹。雖然對(duì)音樂(lè)審美文化有較細(xì)致的述說(shuō),但綜合而言,沒(méi)有對(duì)維吾爾族音樂(lè)的審美文化進(jìn)行介紹,使得對(duì)民族音樂(lè)在審美文化方面上的研究是不全面,反向看也是對(duì)維吾爾族音樂(lè)綜合研究的欠缺。筆者以前人的研究和自己的實(shí)踐為基礎(chǔ),采用民族音樂(lè)學(xué)方法和文藝學(xué)美學(xué)方法等學(xué)科理論方法,從審美文化的視角對(duì)新疆鄯善縣嗩吶進(jìn)行了較為詳盡的研究和分析,并提出一些新的想法和建議。全文共從七個(gè)部分進(jìn)行介紹,具體為:第一部分:緒論。這個(gè)部分首先介紹了在審美文化視野下研究維吾爾族鄯善縣嗩吶的背景和緣由,同時(shí)對(duì)維吾爾族嗩吶、審美文化等四個(gè)方面的文獻(xiàn)進(jìn)行了梳理和分析,最后也闡明了本論文寫(xiě)作的研究方法。第二部分:是對(duì)新疆鄯善縣維吾爾族嗩吶的概述。分別從樂(lè)器的起源、樂(lè)器的形制和以嗩吶為主奏樂(lè)器的鼓吹樂(lè)隊(duì)的組成三個(gè)方面進(jìn)行了介紹。第三部分:是對(duì)新疆鄯善縣維吾爾族嗩吶在自然生態(tài)和歷史文化兩方面背景的梳理,主要包括自然地理環(huán)境方面、時(shí)政方面、宗教方面以及對(duì)音樂(lè)發(fā)展脈絡(luò),闡釋了鄯善縣維吾爾族嗩吶其獨(dú)特性的來(lái)源。第四部分:是對(duì)新疆鄯善縣維吾爾族嗩吶審美空間的介紹,分別包括婚禮中嗩吶的審美空間和節(jié)日中嗩吶的審美空間的描述,并提出了不同的物理空間,會(huì)對(duì)嗩吶樂(lè)曲的選擇以及曲風(fēng)曲調(diào)等方面產(chǎn)生不一樣的效果,進(jìn)而影響欣賞者產(chǎn)生不一樣的心理反應(yīng),最終使得整個(gè)審美空間發(fā)生改變。第五部分:是對(duì)新疆鄯善縣維吾爾族嗩吶在文化屬性方面的解釋,主要從綠洲文化、圣贊文化以及同樂(lè)文化三個(gè)不同的角度入手,為更好、更全面的研究嗩吶奠定了良好的基礎(chǔ)。第六部分:介紹的是新疆鄯善縣維吾爾族嗩吶的文化功能。在這部分中主要介紹了嗩吶召集聚匯的功能、移風(fēng)易俗的功能以及情感宣泄的功能。第七部分:結(jié)語(yǔ)。
[Abstract]:Xinjiang Shanshan Uygur suona is a treasure in Uygur traditional culture, which has condensed the painstaking efforts of several generations of Uygur people. It is deeply loved by Uygur people with its unique artistic charm. It takes root in the Uygur people's life, becomes the people ritual activity, the wedding celebration, the national cultural exchange essential tool. At present, although has the related introduction to the Uygur suona in the academic circles. However, there is no in-depth introduction to Uygur suona in Shanshan County. Although there is a more detailed description of the music aesthetic culture, but generally speaking, there is no introduction to the Uygur music aesthetic culture. Make the study of national music in aesthetic culture is not comprehensive, reverse is also the lack of comprehensive research on Uygur music. The author's previous research and his own practice as the basis. By using the methods of ethnomusicology and literature and art aesthetics, this paper makes a detailed study and analysis of suona in Shanshan County, Xinjiang from the perspective of aesthetic culture. Some new ideas and suggestions are put forward. The full text is introduced from seven parts. The first part: introduction. This part firstly introduces the background and reason of the study of suona in Uygur Shanshan County from the perspective of aesthetic culture, and at the same time, introduces the suona of Uygur nationality. Aesthetic culture and other four aspects of literature were combed and analyzed, and finally clarified the research methods of this paper. The second part: an overview of Uygur suona in Shanshan County, Xinjiang, respectively from the origin of musical instruments. The shape of the musical instrument and the composition of the trumpeting band with suona as the main instrument are introduced. The third part is to comb the natural ecological and historical cultural background of Uygur suona in Shanshan County Xinjiang. Mainly includes the natural geographical environment aspect, the current politics aspect, the religion aspect as well as to the music development vein. This paper explains the unique origin of suona of Uygur nationality in Shanshan County. Part 4th: it introduces the aesthetic space of suona of Uygur nationality in Shanshan County. It includes the description of the aesthetic space of suona in wedding and the aesthetic space of suona in festival, and puts forward different physical space, which will produce different effects on the selection of suona music and the tune of suona. And then affect the audience to produce different psychological reaction, and finally make the entire aesthetic space changed. 5th part: the interpretation of cultural attributes of Uygur suona in Shanshan County, Xinjiang, mainly from the oasis culture. The culture of sacrament and the culture of music are three different angles for the better. More comprehensive study of suona laid a good foundation. Part 6th: it introduces the cultural functions of Uygur suona in Shanshan County Xinjiang. The function of changing customs and the function of emotional catharsis. Part 7th: conclusion.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.14

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