從元代聲樂論著《唱論》看中國民族聲樂的發(fā)展和傳承
發(fā)布時(shí)間:2018-01-18 02:27
本文關(guān)鍵詞:從元代聲樂論著《唱論》看中國民族聲樂的發(fā)展和傳承 出處:《西北民族大學(xué)》2017年碩士論文 論文類型:學(xué)位論文
更多相關(guān)文章: 元代 《唱論》 民族聲樂 傳承 發(fā)展
【摘要】:《唱論》是中國元代音樂家對(duì)聲樂藝術(shù)進(jìn)行分類研究的一部理論著作。其內(nèi)容包括古代的歌唱家、音樂鑒賞、歌曲演唱技巧、聲樂教育觀念、歌唱審美等方面。是對(duì)元代及之前的歌唱表演現(xiàn)象的理論性歸納和總結(jié)。目前,對(duì)《唱論》的研究成果,主要以文本、戲曲、文學(xué)等方面的研究較多,而就《唱論》所體現(xiàn)的民族聲樂技巧、聲樂理論體系以及對(duì)后世聲樂專著的傳承尚不多見。因此,本文首先從中國民族聲樂理論的角度對(duì)《唱論》的產(chǎn)生進(jìn)行研究,主要運(yùn)用音樂文獻(xiàn)學(xué)的史料學(xué)方法和邏輯學(xué)法,對(duì)中國聲樂發(fā)展脈絡(luò)進(jìn)行梳理,探論《唱論》產(chǎn)生的歷史背景,揭示《唱論》在元代產(chǎn)生的必然性。其次,從《唱論》看民族聲樂理論傳承的角度進(jìn)行研究,運(yùn)用音樂史學(xué)中的史料學(xué)和音樂文獻(xiàn)學(xué)中的版本學(xué)和校勘學(xué)方法,對(duì)《唱論》的作者生平進(jìn)行考證、《唱論》現(xiàn)存版本源流進(jìn)行鑒別分析,通過版本比較,追溯《唱論》古籍原貌,為研究《唱論》打下基礎(chǔ),對(duì)中國民族聲樂理論有更加深入的認(rèn)識(shí)。最后,從《唱論》看中國民族聲樂發(fā)展的角度進(jìn)行研究,運(yùn)用宏觀和微觀的研究方法,對(duì)《唱論》在中國民族聲樂下產(chǎn)生的作用進(jìn)行分析,通過從整體到具體的結(jié)構(gòu)關(guān)系梳理,盡可能還原中國民族聲樂面貌。本文將《唱論》放在整個(gè)中國民族聲樂史大背景下進(jìn)行研究,初步勾勒了中國民族聲樂的發(fā)展概況、中國民族聲樂美學(xué)思想概況、元代民族聲樂發(fā)展概況、元代民族聲樂教育觀念等宏觀性的粗線條,研究了《唱論》在這些粗線條中的地位,注重研究該著作的"承前啟后"作用,并且從多個(gè)層面闡釋,較之前的研究成果更為全面;同時(shí)將《唱論》與中國民族聲樂表演理論結(jié)合起來,研究其對(duì)后世聲樂發(fā)展傳承的借鑒意義,使研究成果更具有現(xiàn)實(shí)意義。
[Abstract]:Singing Theory is a theoretical work on the classification of vocal music art by Chinese Yuan Dynasty musicians. Its contents include ancient singers, music appreciation, singing skills and vocal education concepts. Singing aesthetics and other aspects. It is to the Yuan Dynasty and before the singing performance phenomenon of theoretical induction and summary. At present, on the "singing theory" research results, mainly in the text, drama, literature and other aspects of research. However, the national vocal music techniques, the vocal music theoretical system and the inheritance of later vocal music monographs are rare. Firstly, this paper studies the origin of "singing Theory" from the angle of Chinese national vocal music theory, and mainly combs the development of Chinese vocal music by using the historical materials method and logic method of music philology. This paper explores the historical background of the emergence of "singing theory", and reveals the inevitability of "singing theory" in Yuan Dynasty. Secondly, it studies the inheritance of national vocal music theory from the angle of "singing theory". By using the methods of edition and collation in the history of music history and music philology, the author's life and life of the author of "singing theory" are studied, and the source of the existing version of "singing theory" is identified and analyzed, and the comparison between the two versions is carried out. Tracing back to the original appearance of the ancient books, it lays a foundation for the study of the theory of singing, and has a deeper understanding of the theory of Chinese national vocal music. Finally, from the angle of viewing the development of Chinese national vocal music from the perspective of the theory of singing, the author makes a study on the development of Chinese national vocal music. By using macro and micro research methods, this paper analyzes the function of singing theory under the Chinese national vocal music, and combs the relationship from the whole to the concrete structure. This paper puts the "singing theory" under the background of the history of the whole Chinese national vocal music, and outlines the development of the Chinese national vocal music. The general situation of Chinese national vocal music aesthetic thought, the Yuan Dynasty national vocal music development general situation, Yuan Dynasty national vocal music education idea and so on the macroscopic rough line, has studied the "singing theory" in these rough lines position. Pay attention to the role of "connecting the past with the future" of the work, and explain it from many aspects, which is more comprehensive than the previous research results; At the same time, it combines the theory of singing with the theory of Chinese national vocal music performance, and studies its significance for the development and inheritance of vocal music in later generations, so that the research results have more practical significance.
【學(xué)位授予單位】:西北民族大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J616.2
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 黃卉;燕南芝庵和他的《唱論》[J];中國文學(xué)研究;2001年03期
2 楊棟;芝庵《唱論》論考[J];河北學(xué)刊;1998年05期
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