本文選題：南路山東琴書 + 發(fā)展歷程��； 參考：《山西師范大學(xué)》2012年碩士論文

【摘要】：自古以來，齊魯大地便是中華文明的發(fā)祥地之一�！翱酌瞎世铩�、“禮儀之邦”這些稱謂都是見證齊魯文化繁盛的標(biāo)志。魯西南的曲阜誕生了中國(guó)最偉大的思想家、教育家、儒家學(xué)派的創(chuàng)始人——孔子。這個(gè)地區(qū)擁有得天獨(dú)厚的歷史文化資源和深厚的文化底蘊(yùn)，在這個(gè)被文明滋潤(rùn)浸透過的土壤里，各種藝術(shù)形式在這里孕育并生根發(fā)芽直至枝繁葉茂，這其中便有——南路山東琴書。它不僅是整個(gè)山東琴書的源頭，在不斷得發(fā)展中孕育繁衍了呂劇等其它藝術(shù)形式。 筆者的這篇論文從南路山東琴書的歷史談起，在挖掘了它產(chǎn)生的各種條件后，并得出它的產(chǎn)生不是一個(gè)偶然的現(xiàn)象。通過查閱搜集各種史志、地方志等資料，對(duì)山東琴書的發(fā)展進(jìn)行了一個(gè)梳理，從最初的“小曲子”形式到最后的在整個(gè)山東地區(qū)的散播，以時(shí)間順序?qū)γ總�(gè)階段都作了說明與分析。 論文的第二部分對(duì)山東琴書的曲目與曲本進(jìn)行了整理與分類，總結(jié)了曲本的語(yǔ)言特色和思想內(nèi)涵。山東琴書曲本的保存狀況總體還是比較理想的，但是也有一部分亟待加以保護(hù)，否則將面臨失傳和遺失的危險(xiǎn)�，F(xiàn)在最主要的工作還是整理與記錄，讓其得到妥善的保存，并能重新出現(xiàn)在人們的視線當(dāng)中。 論文還對(duì)南路山東琴書的體制與表演特色進(jìn)行了深入細(xì)致的研究，這也是論文的重點(diǎn)部分，先是從它的樂器入手，一一介紹了每件樂器的功能與特點(diǎn)，此外對(duì)它的曲牌、曲調(diào)也做了細(xì)致的調(diào)查。通過筆者親身感受，認(rèn)為南路山東琴書的表演風(fēng)格不亞于任何一種藝術(shù)形式。論文的第四部分是對(duì)南路山東琴書的藝術(shù)特色進(jìn)行了歸類。它注重咬字、吐字需要做到字正腔圓，并且具有濃郁的山東風(fēng)情，是原汁原味的山東藝術(shù)曲藝形式。筆者在對(duì)山東琴書的戲班、老藝人的生存狀態(tài)通過走訪和調(diào)查后，進(jìn)行了分類與總結(jié)。一種藝術(shù)形式的發(fā)展離不開藝術(shù)家的辛勤耕耘與付出，正是有了這些對(duì)山東琴書付出了畢生心血的老藝人才有了山東琴書的繁榮。 論文的最后是對(duì)山東琴書的發(fā)展進(jìn)行的反思，，以”菏澤學(xué)院的教育教學(xué)模式“為一個(gè)發(fā)展契機(jī)，詳細(xì)分析了山東琴書失落的原因，并提出了自己的看法。筆者希望通過自己的這篇調(diào)查與研究讓人們重新去了解和關(guān)注山東琴書，讓山東琴書在齊魯大地上再次撩響悠揚(yáng)的琴聲。
[Abstract]:Since ancient times, the land of Qilu is one of the birthplaces of Chinese civilization. Such titles as Confucius and Mencius hometown and the Land of propriety are symbols of the prosperity of Qilu culture. Qufu, southwest of Shandong, was born Confucius, the greatest thinker, educator and founder of Confucianism. This region has unique historical and cultural resources and profound cultural heritage. In this soil, moistened and soaked by civilization, various forms of art are nurtured and rooted here until they flourish. Among them are Shandong Qin Shu-Nan Lu. It is not only the source of the whole Shandong Qin book, but also the other art forms such as Lu Opera. This paper starts from the history of Shandong Qin book in Nanlu, after excavating all kinds of conditions, it comes to the conclusion that its emergence is not an accidental phenomenon. By consulting and collecting various historical and local records, the development of Shandong Qin books has been combed, from the initial form of "small tunes" to the final dissemination in the whole Shandong region. Each stage is explained and analyzed in chronological order. In the second part of the paper, the author sorts out and classifies the repertoire and the original of Shandong Qin book, and summarizes the language characteristics and ideological connotation of the song book. The state of preservation of Shandong Qin books and songs is generally satisfactory, but some of them are in urgent need of protection, otherwise they will face the risk of loss and loss. The main task now is to keep records, keep them properly, and reappear in sight. The paper also makes a thorough and detailed study on the system and performance characteristics of the Shandong Qin book on Nanlu, which is also the key part of the paper. First, it introduces the function and characteristics of each instrument from its musical instrument, and in addition, it introduces its music card. The tune was also carefully investigated. Through my own experience, I think that the performance style of Shandong Qin book is no less than any art form. The fourth part of the paper classifies the artistic characteristics of Shandong Qin book on Nan Lu. It pays attention to the pronunciation of characters, spelling needs to achieve a correct tone, and has a strong Shandong style, is the original form of Shandong art. The author classifies and summarizes the opera troupe and the living state of the old entertainers in Shandong through visiting and investigating. The development of an art form can not be separated from the painstaking efforts and efforts of the artists. It is the old artists who have devoted their lives to Shandong Qin books to have the prosperity of Shandong Qin books. At the end of the paper, the author reflects on the development of Shandong Qin book, taking "the educational and teaching mode of Heze College" as a developing opportunity, analyzes in detail the causes of the loss of Shandong Qin book, and puts forward his own views. The author hopes that through his own investigation and research, people can re-understand and pay attention to Shandong Qin book, and let Shandong Qin book play melodious music again on Qilu earth.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J825

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