本文選題：敘事特征 + 創(chuàng)作現(xiàn)象��； 參考：《藝術(shù)評論》2017年02期

【摘要】：正近年,涌現(xiàn)出了一大批"行路"題材的舞劇,其共同特點是,舞劇背景往往設(shè)定在某一段行程上,以講述這段行程的人物和故事為主,隨著行程的深入推動情節(jié)的發(fā)展。這與以往"時間、地點、人物"相對統(tǒng)一,以沖突推進(jìn)情節(jié)發(fā)展的舞劇,有著較為鮮明的區(qū)別,類比"公路電影"之稱謂,本文暫且稱之為"行路舞劇",以探討其特性及創(chuàng)作現(xiàn)象。
[Abstract]:In recent years, a large number of "road" theme dance plays have emerged, the common characteristic of which is that the play background is often set on a certain journey, mainly to tell the characters and stories of this journey, along with the journey to promote the development of the plot. This is quite distinct from the previous "time, place, and character" dance drama, which is relatively unified and promotes the development of the plot by conflict. It is analogous to the title "Highway Film". This article is called "Walking Dance Drama" in order to explore its characteristics and creative phenomenon.
【作者單位】： 湖南師范大學(xué)音樂學(xué)院;湖南師范大學(xué)工程與設(shè)計學(xué)院;
【分類號】：J723
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本文編號：1946240