本文關鍵詞： 白族《創(chuàng)世紀》 民間敘事 洱源西山 打歌 歌謠研究　出處：《云南大學》2013年碩士論文　論文類型：學位論文

【摘要】：白族“打歌”在《白族文學史》中被提及,同時著作中已呈現(xiàn)出50年代學者們在白族地區(qū)對白族“打歌”的搜集和整理成果。雖然在所調(diào)查的文獻資料中我們對白族“打歌”的情況有大致的了解,但將白族“打歌”還原于生活文化之中的調(diào)查研究并不多。 白族創(chuàng)世史詩《創(chuàng)世紀》作為白族人民的根譜,它承載了白族人民優(yōu)良的歷史文化傳統(tǒng),是白族人民集體智慧的結晶。當下的白族史詩《創(chuàng)世紀》作為白族“打歌”的重要組成部分得以存續(xù),特別是在洱源西山白族地區(qū),人們把打唱《創(chuàng)世史詩》作為傳承歷史、緬懷祖先的重要途徑,有“不打歌,則失了譜”的說法。筆者常年生活在白族地區(qū),并多次走訪于西山白族地區(qū),對當?shù)厝藗兊纳罘绞接休^全面的了解,進而引發(fā)了筆者對這一選題的興趣,如何將民間敘事跳出純文本形式的研究,而將其置身于當?shù)厝藗兊纳钗幕惺潜疚难芯亢驼{(diào)查的關鍵所在。 本文采取現(xiàn)場調(diào)查和參與的方式,對洱源西山白族的“打歌”的內(nèi)容和“場景化”的語境敘事構成形式,以及對白族打歌的歷史進行回顧并分析其社會功能,重點對當下白族“打歌”的現(xiàn)狀進行調(diào)查和分析,同時對白族“打歌”的未來發(fā)展走向有了一定的認識。進而得出雖然當下白族“打歌”在白族地區(qū)己不是必要的娛樂方式,其發(fā)展呈現(xiàn)出式微的趨勢,但其對當?shù)厝藗兊纳a(chǎn)、生活甚至價值觀、心理結構等方面都有不同程度的影響這樣的結論。 將白族“打歌”的研究還原于與本民族息息相關的生活文化之中,以彌補對白族“打歌”的研究方式單一、搜集和整理范式的不足是本文的研究目的和價值所在。
[Abstract]:Bai nationality's "playing songs" is mentioned in the History of Bai nationality Literature. At the same time, it has been shown in 50s that scholars collected and collated the songs of Bai nationality in the area of Bai nationality, although we have a general understanding of the situation of "playing songs" of Bai nationality in the literature we investigated. However, there are few investigations and studies on restoring Bai nationality's "playing songs" to life culture. As the root spectrum of the Bai people, the creation epic of Bai nationality (Genesis) bears the fine historical and cultural tradition of the Bai people. It is the crystallization of the collective wisdom of the Bai people. The present Bai epic, Genesis, as an important part of the Bai nationality's "playing songs", has survived, especially in the Western Mountain area of Eryuan. People regard "creation epic" as an important way to inherit history and remember their ancestors. There is a saying that "if you don't play songs, you lose your music". I live in Bai nationality area all year round and visit the Bai nationality area of Xishan many times. On the local people have a more comprehensive understanding of the way of life, and then triggered the author of this topic of interest, how to folk narrative out of the pure text of the study. It is the key of the research and investigation to put it in the local people's life culture. This paper adopts the way of on-the-spot investigation and participation to review and analyze the content of "playing songs" and the narrative form of context of "scene" of Bai nationality in Eryuan Xishan, as well as the history of the songs of Bai nationality and its social function. Focus on the current Bai "hit song" status of investigation and analysis. At the same time, there is a certain understanding of the future development trend of the Bai nationality "playing songs", and then we can draw a conclusion that although the Bai nationality "playing songs" is not a necessary entertainment mode in the Bai nationality area, its development is showing a trend of decline. But it has different influence on local people's production, life and even values, psychological structure and so on. The study of "playing songs" of Bai nationality is restored to the living culture which is closely related to this nationality, in order to make up for the single research way of "playing songs" of Bai nationality. The purpose and value of this paper is to collect and collate the deficiency of paradigm.
【學位授予單位】：云南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J722.22

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