【摘要】：中國民間布貼藝術(shù)由來已久,其藝術(shù)魅力不可小覷,是中國民間藝術(shù)中一個(gè)獨(dú)特的藝術(shù)品種。它來源于民間,深刻反映了民眾民俗文化和審美心理,民間藝術(shù)家通過布貼藝術(shù)表達(dá)出對大自然的欣賞、對勞動(dòng)的熱愛、對美好生活的向往,它是藝術(shù)家內(nèi)心的真實(shí)反映,是一種充滿情感的樸實(shí)的藝術(shù)。 本文對布貼藝術(shù)涵義、歷史發(fā)展與現(xiàn)狀以及其藝術(shù)特色進(jìn)行論述,對布貼藝術(shù)在題材的選擇、圖案造型、色彩運(yùn)用上進(jìn)行細(xì)致的分析。本文主要研究布貼藝術(shù)在室內(nèi)裝飾中的應(yīng)用,對布貼的歷史、藝術(shù)特色、表現(xiàn)形式等進(jìn)行了詳細(xì)的論述。 在論文撰寫前期,為了給論文的撰寫提供理論依據(jù),不僅大量翻閱文獻(xiàn)資料,對它們進(jìn)行收集整理,還深入民間藝術(shù)之鄉(xiāng),去當(dāng)?shù)剡M(jìn)行實(shí)地考察,與當(dāng)?shù)孛耖g藝術(shù)家進(jìn)行交流,了解他們的創(chuàng)作經(jīng)歷、學(xué)習(xí)掌握初步的技法與技巧。通過對資料的收集整理和實(shí)地考察,為論文提供了有力的理論實(shí)踐支持。 在社會發(fā)展腳步加快的當(dāng)今,人們的生活水平有所提高,對生活的追求在不斷變化,同時(shí)大規(guī)模的機(jī)器化生產(chǎn)逐漸代替了費(fèi)時(shí)費(fèi)工的手工生產(chǎn)。民間藝術(shù)作為古老而傳統(tǒng)的藝術(shù),失去了曾經(jīng)的活力與熱度,制作民間藝術(shù)的人也并不多。但是中國民間藝術(shù)作為我國的瑰寶,并不會被人們所遺忘,近幾年通過社會各界的努力,民間藝術(shù)得以逐漸發(fā)展起來。本文研究布貼藝術(shù)的裝飾性,通過對傳統(tǒng)布貼藝術(shù)的探索,用自己的體會分析創(chuàng)作布貼藝術(shù),將布貼與剪紙進(jìn)行了結(jié)合,同時(shí)用傳統(tǒng)布貼的技法表達(dá)了自己對自然的描繪。
[Abstract]:The Chinese folk art has a long history, its artistic charm is not small, it is a unique artistic variety in Chinese folk art. It comes from the folk, deeply reflects the folk custom culture and the aesthetic psychology, the folk art house expresses the appreciation of the nature through the cloth-pasting art, the love of the labor, the yearning for the good life, it is the real reflection of the artist's heart, is a simple art which is full of emotion. This paper discusses the meaning, the development and the present situation of the cloth and the art and the art characteristic, and points out the selection of the subject, the design of the pattern and the application of the color. The article mainly studies the application of the distribution art in the interior decoration, and makes a detailed discussion on the history, the art characteristic and the expression of the cloth. In the early stage of the paper, in order to provide a theoretical basis for the writing of the paper, not only is a large number of references to the literature, they are collected and sorted, but also in the land of folk art, local field visits are carried out, and exchanges with the local folk art houses are carried out to understand their creation Experience and learn to master the initial technique And provides a powerful theory for the paper through the collection and arrangement of the data and the field visit. With the rapid development of the society, people's living standards have improved, the pursuit of life is changing, and the large-scale machine-based production has gradually replaced time-consuming and labor-consuming workers Folk art, as an ancient and traditional art, has lost its vitality and heat, and made folk art. There are not many people. But the Chinese folk art, as the treasure of our country, will not be forgotten. In recent years, through the efforts of all circles of society, the folk art can be In this paper, the paper studies the decoration of the art of the cloth and the paper, and through the exploration of the traditional cloth and the art of the cloth, the author analyzes the art of the art by using his own experience, and combines the cloth and paper-cut. At the same time, the traditional cloth-sticking technique is used to express himself.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J528

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本文編號：2505955