【摘要】：中國(guó)兩千年多的用墨、制墨的歷史,也是墨錠的形制與裝飾伴隨著手工藝的發(fā)展成熟而發(fā)展變化的歷史。從兩漢到明清,墨錠的形制與裝飾手法由單一向多樣,由簡(jiǎn)單向豐富,不斷地汲取借鑒國(guó)畫、書法、紋樣、版畫、木雕、髹漆等多種藝術(shù)的形式和手段,使眾多藝術(shù)樣式共同發(fā)生作用、產(chǎn)生影響,最終呈現(xiàn)出手法靈活多樣、極具綜合性的裝飾藝術(shù)風(fēng)格。
[Abstract]:The history of ink making in China in 2000 is also the history of the shape and decoration of ink ingots with the development and maturity of handicrafts. From the Han Dynasty to the Ming and Qing dynasties, the shape and decoration techniques of ingot changed from single to diverse, from simple to rich, constantly drawing lessons from the forms and means of traditional Chinese painting, calligraphy, pattern, printmaking, wood carving, lacquer and so on, so that many artistic styles played a common role and had an influence, and finally showed flexible and diverse techniques and a very comprehensive decorative art style.
【作者單位】： 首都師范大學(xué)美術(shù)學(xué)院;
【分類號(hào)】：TS951.21
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本文編號(hào)：2503002