說“魚”—解析中國魚紋裝飾
發(fā)布時間：2019-06-11 22:24
【摘要】： 中國傳統(tǒng)裝飾給我們留下了豐富的精神文化財富,回顧中國工藝設計的歷史,傳統(tǒng)魚紋裝飾以其獨特的文化內涵和藝術魅力演繹著各種風格與形式。作為傳統(tǒng)經典的裝飾語言,魚紋是人的主觀情感意識對自然物象形態(tài)的升華。它體現著不同時代、地區(qū)、階層之間的文化繼承與交流,有著獨具特征的藝術表現形式。本文從魚紋裝飾的形態(tài)特征談起,通過對中國魚紋裝飾的發(fā)展與淵源的文化歷程瀏覽,分析魚紋裝飾的構成演化以及其特有的吉祥寓意。說明了傳統(tǒng)魚紋裝飾是一個形式與內容不斷積淀演化的產物,有著極為豐富的裝飾形式和思想內容。蘊涵著高度的裝飾性和概括性。同時具有超越現實的意蘊和浪漫色彩。魚紋裝飾作為我國傳統(tǒng)的裝飾文化形式之一,隨著社會的進步和設計思維的不斷更新,它將繼續(xù)服務于裝飾領域并具有強大的生命力。因此,我們應該珍惜祖先優(yōu)秀的文化遺產,從現代設計的角度對傳統(tǒng)魚紋加以研究與運用。在當今設計領域追求時尚性、多元性、國際性的同時,決不能忽視傳統(tǒng)裝飾設計的經典語言。而這種強調民族性、本土化的設計語言也確實成為當今裝飾設計領域的新趨勢。
[Abstract]:Chinese traditional decoration has left us rich spiritual and cultural wealth. Looking back on the history of Chinese craft design, the traditional fish pattern decoration deduces various styles and forms with its unique cultural connotation and artistic charm. As a traditional classical decorative language, fish pattern is the sublimation of human subjective emotional consciousness to the form of natural objects. It embodies the cultural inheritance and exchange among different times, regions and strata, and has unique artistic forms of expression. This paper discusses the morphological characteristics of fish grain decoration, and analyzes the composition and evolution of fish pattern decoration and its unique auspicious implication through the cultural process of the development and origin of fish pattern decoration in China. It is shown that the traditional fish grain decoration is a product of continuous accumulation and evolution of form and content, and has a very rich decorative form and ideological content. It contains a high degree of decoration and generality. At the same time, it has the meaning of surpassing reality and romantic color. As one of the traditional decorative cultural forms in our country, fish grain decoration will continue to serve in the field of decoration and has strong vitality with the progress of society and the continuous renewal of design thinking. Therefore, we should cherish the excellent cultural heritage of our ancestors and study and apply the traditional fish grain from the perspective of modern design. While pursuing fashion, pluralism and internationality in the field of design, the classical language of traditional decoration design must not be ignored. And this emphasis on nationality, localization of the design language has indeed become a new trend in the field of decorative design.
【學位授予單位】：遼寧師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J522
本文編號：2497499
[Abstract]:Chinese traditional decoration has left us rich spiritual and cultural wealth. Looking back on the history of Chinese craft design, the traditional fish pattern decoration deduces various styles and forms with its unique cultural connotation and artistic charm. As a traditional classical decorative language, fish pattern is the sublimation of human subjective emotional consciousness to the form of natural objects. It embodies the cultural inheritance and exchange among different times, regions and strata, and has unique artistic forms of expression. This paper discusses the morphological characteristics of fish grain decoration, and analyzes the composition and evolution of fish pattern decoration and its unique auspicious implication through the cultural process of the development and origin of fish pattern decoration in China. It is shown that the traditional fish grain decoration is a product of continuous accumulation and evolution of form and content, and has a very rich decorative form and ideological content. It contains a high degree of decoration and generality. At the same time, it has the meaning of surpassing reality and romantic color. As one of the traditional decorative cultural forms in our country, fish grain decoration will continue to serve in the field of decoration and has strong vitality with the progress of society and the continuous renewal of design thinking. Therefore, we should cherish the excellent cultural heritage of our ancestors and study and apply the traditional fish grain from the perspective of modern design. While pursuing fashion, pluralism and internationality in the field of design, the classical language of traditional decoration design must not be ignored. And this emphasis on nationality, localization of the design language has indeed become a new trend in the field of decorative design.
【學位授予單位】：遼寧師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J522
【引證文獻】
相關碩士學位論文 前1條
1 東謙;懸魚造型藝術在服裝空間設計中的應用[D];河北科技大學;2012年
，本文編號：2497499
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