【摘要】：山西王家大院建筑裝飾中的磚石雕內(nèi)容豐富、樣式復(fù)雜,在現(xiàn)存的清代北方民居建筑裝飾中很有代表性。其建筑構(gòu)件上的植物紋裝飾完美體現(xiàn)了自然環(huán)境、傳統(tǒng)哲學(xué)、文化傳統(tǒng)、地域風(fēng)俗文化的融合性。本論文試圖從實(shí)地考察入手,對(duì)王家大院高家崖建筑裝飾中現(xiàn)存的磚石雕刻植物紋樣進(jìn)行搜集,結(jié)合王家大院的人文環(huán)境和建筑裝飾特征,深入分析植物紋樣的題材內(nèi)容及位置關(guān)系,通過(guò)題材內(nèi)容和形式與位置關(guān)系的梳理,探究植物紋題材特定的功能性。
[Abstract]:The brick and stone carving in the architectural decoration of Shanxi Wangjia compound is rich in content and complex in style, which is very representative in the existing residential decoration in the north of Qing Dynasty. The plant grain decoration on its architectural components perfectly embodies the integration of natural environment, traditional philosophy, cultural tradition and regional customs and culture. Starting with the field investigation, this paper attempts to collect the existing brick and stone engraved plant patterns in the architectural decoration of Gajiayya Building of Wangjia compound, combined with the human environment and architectural decoration characteristics of Wangjia compound. This paper deeply analyzes the subject matter content and position relationship of plant pattern, and probes into the specific function of plant pattern subject matter through combing the relationship between subject matter content and form and position.
【作者單位】： 太原師范學(xué)院美術(shù)系;
【分類號(hào)】：TU238;TU-852
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本文編號(hào)：2475048