臺灣寺廟建筑龍柱裝飾藝術(shù)研究
[Abstract]:Taiwan is a multi-religious region with over 10000 temples (1), including Buddhism, Taoism, Confucianism and various folk beliefs. In Taiwan's temple decoration, people can often see a complex shape and colorful colors to create a lively and unique atmosphere. Among them, the dragon column is an indispensable part of the decorative art of temple architecture in Taiwan, is the representative of stone carving art in Taiwan, with obvious folk culture characteristics. Compared with the traditional temple architecture in many parts of China, the dragon pillar of Taiwan temple is undoubtedly a shining pearl, rich and unique art form, can be described as a skillful work. Dragon column with rich posture of the dragon as the main body, majestic and majestic shape, lifelike, its beautiful, vivid artistic expression deeply moved every viewer. With the development of history, the dragon columns in Taiwan temples are everywhere, from one pair to many pairs in the early days, and there are even dragon columns everywhere, and the columns are dragon columns. Taiwan temples are rich in decorative art and beautifully carved, which sets off the majesty of architecture, creates the sacred atmosphere of temples, and embodies the aesthetic taste and aesthetic ideals of the people of Taiwan in different historical periods. It is the treasure of Chinese stone carving art. In this paper, the dragon pillar decoration art of temple architecture in Taiwan is taken as the research object. Firstly, the research background, the present situation at home and abroad, the purpose and significance of the study are briefly expounded, and the content and scope of the study are clarified. Secondly, this paper summarizes the decorative art of dragon pillar from the aspects of origin, interpretation, structure, layout, function, form and specification, and on this basis, presents a more complete image of dragon pillar. Thirdly, taking schools and general characteristics as the transverse axis of comparative study, this paper analyzes the different factions, representative craftsmen and concrete cases, and generalizes and studies the overall characteristics of dragon columns in Taiwan temples, in order to pave the way for the later chapters. Then, taking the time sequence of Qing Dynasty, Japanese occupation period and Republic of China period as the longitudinal axis of in-depth study, this paper analyzes in detail the forms and characteristics of dragon pillar decoration art in each period, and describes the representative column examples. The evolution trend is compared and analyzed. At the same time, deeply explore the historical and cultural factors that affect the formation and evolution of Dragon Pillar. Finally, the value of dragon column decoration art is discussed, and the modern inheritance and development of dragon column is forward-looking. In order to provide some reference for further research, we hope to make a comprehensive arrangement and presentation of the dragon column decoration art of temple architecture in Taiwan.
【學(xué)位授予單位】:重慶大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2016
【分類號】:TU252
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