【摘要】：正在日常生活中,我們會(huì)遇到這樣的困惑:面對(duì)—個(gè)制作工藝復(fù)雜的首飾或圖案豐富的花瓶,我們應(yīng)該稱它為裝飾品還是工藝品?這個(gè)看似不起眼的小問(wèn)題,其實(shí)已經(jīng)涉及裝飾藝術(shù)與工藝美術(shù)的本質(zhì)問(wèn)題,即這兩個(gè)概念的范疇。本文嘗試從“工藝形氣神論”的視角出發(fā),通過(guò)對(duì)比具體個(gè)案,對(duì)這一問(wèn)題進(jìn)行探析�！肮に囆螝馍裾摗笔菑墓に嚨恼軐W(xué)層面出發(fā),以“天人合一,物我合一”的傳統(tǒng)造物理想為基底,借助“形”、“氣”、“神”三個(gè)互相制約、互相影響的概念,把與造物活動(dòng)有關(guān)的核心要素串聯(lián)成一體的新型理論。該理論展現(xiàn)的是中國(guó)傳統(tǒng)造物思維,不僅適用于工藝研究,
[Abstract]:In daily life, we will encounter the confusion: in the face of a complex craft jewelry or rich pattern vase, should we call it an ornament or a handicraft? This seemingly small problem has already involved the nature of decorative art and arts and crafts, that is, the category of these two concepts. This paper tries to analyze this problem from the angle of "the theory of craft form and spirit" by comparing the specific cases. Based on the traditional creation ideal of "the unity of nature and man, the unity of things and me", the concept of "form", "Qi" and "God" are three concepts that restrict each other and influence each other with the help of "form", "Qi" and "God", starting from the philosophical aspect of craft. A new theory of concatenating the core elements related to creation activities. This theory shows the Chinese traditional thinking of creation, which is not only suitable for the research of craft,
【作者單位】： 景德鎮(zhèn)陶瓷大學(xué);

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